“Buddy Holly: Life, Legend, Legacy” – An Exhibit of the Crossroads Music Archive

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This summer, the Crossroads of Music Archive at the Southwest Collection/Special Collections Library is proud to present “Buddy Holly: Life, Legend, Legacy,” an exhibit celebrating the Lubbock-born rock and roll pioneer. The exhibit will be gracing the halls of the Southwest Collection until mid-October.

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Charles Hardin “Buddy” Holley was born in Lubbock on September 7, 1936, to a musical family. He first performed at the age of five and learned various instruments, eventually settling on the guitar. In junior high Holly collaborated with Bob Montgomery as the duo “Buddy and Bob,” playing Western Bop at local functions, as well as KDAV’s “Sunday Party.” Buddy also teamed with area musicians such as Sonny Curtis, Larry Welborn, Don Guess, and Jack Neal. These early combos played at Lawson’s Skating Rink, teen clubs, and opened for touring musical acts.

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After seeing Elvis Presley perform at Lubbock’s Fair Park Coliseum on June 3, 1955, Holly switched to Rock and Roll. He then went on to record with Decca in 1956, but flourished with Norman Petty at his studios in Clovis, New Mexico. Holly, drummer Jerry Allison, bassist Joe B. Mauldin, and guitarist Niki Sullivan formed The Crickets, who burst onto the rock and roll scene with numerous hits such as “That’ll Be the Day.”

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1958 saw many changes for Holly. He met and married Maria Elena Santiago in New York City, and began recording there. After splitting with Petty and The Crickets, and needing cash, Buddy signed on to the Winter Dance Party tour with the hottest acts of the day. After a show in Iowa, Holly chartered a plane to fly him, Ritchie Valens, and The Big Bopper to the next venue. Shortly after take-off on February 3, 1959, the plane crashed, killing all three musicians and the pilot.

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Holly planned, but never completed, creating a record company and recording studio in Lubbock. A tribute statue graces the West Texas Walk of Fame, and he is celebrated at the Buddy Holly Museum in Lubbock, and in the Bill Griggs Collection at the Crossroads of Music Archive.

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Tessie Frank Dickeson: 60 Years of Photography

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In 1910 a young Tessie Frank Dickeson was given a box camera by her brother, which led to a profession she was to pursue for more than 60 years. Over 100 years later, the Tessie Frank Dickeson Collection resides at the Southwest Collection. Best of all, the photos and her notes are all available among our digital collections!

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As Mrs. Dickeson tells it, she was a school dropout at the age of 13, after which she began work in a millinery shop in Longview, Texas, as an apprentice. She did not know how to sew and turned out to be a poor hatmaker, but she was a top-notch salesperson, so they kept her on at the shop until it went out of business. By 1947 she had moved to Lubbock, Texas, where she worked at Koen’s (photography) Studio, at last putting her brother’s camera and her love of photography to good use. The photo below is of her ready to hit the streets in the early 1900s to snap shots everywhere she could.

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The collection is almost entirely glass negatives of photographs of people taken in Marshall, Texas, and Shreveport, Louisiana, in the early 1900’s, primarily from 1905 to 1918. Her labels explaining who the photographs depict are a rare bonus in a collection containing photos this old, but the real unique element is her narration of the process she used to develop the photographs. The photograph above, for example, shows not only an excellent hat, but came with her brief notes on the “ground glass substitute” coating, and the fact that the background was added after the photo was developed.

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The photo above may not be the most flattering, but it also comes with a description of the dangers of working with glass plate negatives. We’re not surprised that some occasionally fell – when more than three or four of them are in a box, they are among some of the heaviest items we house at the Southwest Collection.

Once again, we encourage you to take a look at the rest of this unique journey into turn of the century photography over amongst our digital collections. It’s worth your time.

The Diaries of William DeLoach, A West Texas Farmer

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“Years are the milestones that tell us the distance we have traveled…” These words, the first to appear in the diaries of William G. DeLoach (http://www.lib.utexas.edu/taro/ttusw/00161/tsw-00161.html), were not a platitude. DeLoach noted daily events in his diary from 1914 to 1964, often documenting the mundane life of a West Texas farmer, but at times exploring the emotional and philosophical depth of a man whose daily accounts spanned two World Wars, the Great Depression, and the assassination of John F. Kennedy.

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This is the first full page of his diary, written Wednesday, March 24th, 1914. It is a simple series of notes. He visited Ralls and Crosbyton, Texas, signed a cotton contract, and saw one of his laborers complete the maize harvest. Such entries comprise the bulk of his notes.

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This page includes October 29th, 1929, also known as Black Tuesday, when the stock market crashed and the Great Depression began. Yet the crash’s effect took its time crossing the country, so all he described that day was cutting feed until a rain began that lasted well into the night.

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The Depression, and more importantly the Dust Bowl, haunt the background of his diaries, but DeLoach coloring his stories of day-to-day life. On July 23rd, 1937, however, its effects came to the fore. “I hurt all day. Not with much heart. I can’t do any thing with any heart with such surroundings. I even can’t write any more. My (?) are all shot. Just to be the paying teller and nothing more is bad.” But then, as always: “Bill finished the feed plowing.”

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Some entries are punctuated by tragic or amusing local news. Early November 1937 saw a man lose an arm in a cotton gin: “That is bad…. They take too many chances.” The next day, DeLoach heard about an acquaintance who was “pinched for drunk.” He mused, “Too bad to get sauced in Sudan [Texas] if one is a stranger. Homeguard can.”

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“This is March 28th, 1964. My first entry was made on March 28th, 1914.” Infirm “in more ways than one,” William DeLoach set down his pen. “Goodbye, Diary. You have been lots of help in lots of ways.”

(An abbreviated version of the diaries was edited by Janet M. Neugebauer, former archivist at the Southwest Collection, and published as Plains Farmer: The Diary of William G. DeLoach, 1914-1964.)

The Dust Bowl, Photographically

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Over 80 years ago, fierce winds and sky-high clouds of dirt assaulted the Great Plains in a decade-long disaster known as the Dust Bowl. Texas’ Panhandle was not spared, as the stark reality of these photos from the Southwest Collection prove.

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Caused by a combination of overfarming in the 1920s and severe droughts throughout the 1930s, the Dust Storms blacked out the sky and covered whole towns in dirt. News accounts and oral histories conducted with survivors claim that oftentimes the air was so thick with dust that nothing was visible five feet away. There were even accounts of people choking to death on the dust.

12Some consider Black Sunday one of the worst events of the Dust Bowl. On April 14, 1935, over a dozen storms—called by some survivors “black blizzards”—scoured the Great Plains from the Dakotas to Texas. Its dust traveled as far as New York and Washington, D.C., where lawmakers were attempting to juggle Dust Bowl relief solutions alongside numerous other New Deal programs. John Steinbeck’s The Grapes of Wrath (1939) told the tale of this intersection of nature, the economy, politics, and the realities of those who fled the storms—in this case, the Okies that traveled to California en masse to find work in a land that wasn’t actively trying to kill them.03

Over one hundred million acres of land in Oklahoma, Texas, and several nearby states were affected by the Dust Bowl over the course of the 1930s. This included towns and cities, of course, but farmlands were the primary victim. It would be many years before the Great Plains recovered. The land values and agricultural production of the 1920s would not return for decades.

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“Governor Coke Stevenson: Mr. Texas” – An Exhibit at the Southwest Collection

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The Southwest Collection/Special Collections Library will soon be exhibiting portions of the papers of Texas Governor Coke Stevenson. Documenting his life and career from childhood to retirement in Junction, Texas, the exhibit will run from mid-spring to mid-summer.

Coke Stevenson was born on March 20, 1888, at his grandparents’ home between the little towns of Katemcy, Fredonia, and Pontotoc, in Northeast Mason County, Texas. Throughout his life Stevenson was an entrepreneur and civic leader: a cowboy at ten; the owner of a freight-line between Junction and Brady, Texas, at sixteen; a janitor who worked his way up to bank clerk by 18. Ultimately, he became a member of the bank’s board, and later became president of several banks. He was part owner of grocery, drug, and, hardware stores, the Junction Eagle newspaper, the Fritz Hotel, and Llano River Irrigation and Milling Company, along with water, electricity, ginning, grist mill, and irrigation businesses. He apprenticed under a former state judge, and the Fourth Court of Civil Appeals admitted him to the bar in 1913. Remarkably, he only completed twenty-two months of formal education.

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Stevenson served two terms as Kimble County Attorney and County Judge, but soon was was elected to the Texas House or Representatives, where he became its first two-term Speaker.  In 1938 he was elected Lieutenant Governor and was reelected in 1940 before assuming the governorship in August 1941, when W. Lee “Pappy” O’Daniel resigned to fill the U.S. Senate seat vacated by the deceased Morris Sheppard.  Stevenson served two gubernatorial terms during World War II, during which time he supported the war effort and President Roosevelt, and inspired the Good Neighbor Commission.

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Affectionately known as “Mr. Texas,” after the war he ran for O’Daniel’s vacated U.S. Senate seat against Congressman Lyndon B. Johnson.  He lost a contested run-off when George Parr, the so-called “Duke of Duvall County,” allegedly had Voting Box Number 13 stuffed with 202 ballots that tilted the election to LBJ.

Politics wasn’t the entirety of Stevenson’s life. In 1913 he married Fay Wright, and soon they were blessed with a son, Coke Robert Stevenson, Jr. Fay died in 1942 while Stevenson was governor. After leaving public office he married in 1954 the Kimble County District Clerk, and widow, Marguerite King Heap, with whom he had a daughter, Jane Stevenson. After the failed Senatorial campaign, Stevenson returned home to his Kimble County law practice, friends, and ranch. There he cowboy’d for a while, and took extensive road trips with his family, visiting all 48 contiguous states. He died at 87 years of age on June 28, 1975.

That’s the biography, but the exhibit is so much more! Come by and take a look at it if you have the opportunity. Also, if you’d like to view the Coke Stevenson Papers, they will be available for research use before the exhibit ends. Our Reference Staff will always help you find what you need.

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Dirk West: Sports Cartoonist

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It’s time for a new exhibit at the Southwest Collection! This fall we’re sharing a tribute to Dirk West, a Texas Tech alum and famed sports cartoonist of the Southwest Athletic Conference (among many other accomplishments.) On the evening of Friday, October 14th, we’ll be hosting a reception celebrating the exhibit’s opening. Come on by and visit! Or at least check out some of the exhibit’s fabulous images below.

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Gerald Glynn “Dirk” West (October 23, 1928-July 26, 1996) was a businessman, television personality, and former mayor of the City of Lubbock, Texas. Shortly after his birth in Littlefield, Texas, Dirk’s family moved to Lubbock, Texas. There, while attending Lubbock High School, Dirk created “Westerner Willie” for the school’s Westerner World. Dirk’s widow, Mary Ruth West, recalls Dirk stating that this was also the beginning of his nom de plume. After graduating high school Dirk continued cartooning at Texas Tech University (TTU).

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At TTU, Dirk created an oafish character named “Smedley” (above) for the Toreador, the Texas Tech student newspaper. Mary Ruth believes “Smedley” served as the precursor to “Ol’ Red,” the grizzled version of Raider Red that decorates the image below. The figure graced the Toreador’s pages until Dirk’s graduation in 1954 with a degree in Advertising.

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Some years later Burle Pettit, sports editor of the Lubbock Avalanche Journal, asked Dirk to consider drawing a Southwest Athletic Conference (SWC) cartoon for the paper. And so it was that on September 24, 1964, the first SWC cartoon appeared therein. It featured Texas Tech Football Head Coach J. T. King and his men preparing for the arduous task of playing the defending National Football Champions, the Texas Longhorns. He would go on to develop the mascots of all the SWC schools into recognizable caricatures, such as UT’s Bevo, below.

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So come on by and check out our exhibit! And if you’d like to see more of Dirk West’s work, as well as his archival papers, don’t hesitate to get ahold of our Reference Staff. They’re always ready to help you out however they can. We also hold the records of the Southwest Conference, the Big XII Conference, and a host of other sports organizations. They too are available to interested researchers.

Fire in the Water, Earth in the Air: An Exhibit of the Crossroads Music Archive

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Among the many collections located at the Southwest Collection/Special Collections Library the Crossroads of Music Archive is unique. Comprised of the papers of West Texas musicians, Crossroads also contains recordings, artifacts such as posters and instruments, and other materials documenting West Texas’ rich musical history. “Fire in the Water, Earth in the Air” is an exhibit showcasing the work of Chris Oglesby, who can be seen throwing a dramatic Texas Tech “Guns Up,” above. More specifically, it focuses on the book from which this exhibit gets its name.

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Chris Oglesby grew up in Lubbock where his father was a coach and his mother an English professor, both at Texas Tech University.  While earning his bachelor’s degree and doctorate of jurisprudence from Texas Tech, Chris immersed himself in Lubbock’s musical nightlife. However, it took moving to Austin in 1991 for him to learn how greatly artists from his hometown had affected the music and art scenes of Texas and the world beyond.

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In 1998, Chris began interviewing musical artists with ties to Lubbock. He paired those with articles, photographs, and other research materials to augment the amazing stories from the talented musicians. Posters and playbills similar to the one below were not neglected.

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After seven years of research, Oglesby published Fire in the Water, Earth in the Air. The book highlights twenty-five musicians and seeks to discover what it is about Lubbock and West Texas that feeds the creative process and spirit. More than a few notes were scribbled down in the notebook below.

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September 1, 2016 will be the tenth anniversary of the book’s publication. In conjunction with that, we are proud to announce that the Chris Oglesby Papers are now housed in the Crossroads of Music Archive. They are open for research, and a simple call or email to our dedicated Reference Staff can get them into your hands.

The Tale of Thomas “Red Tom” Hickey

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Thomas Hickey’s papers aren’t the only records of early 20th-century socialism that we house at the Southwest Collection, nor are they the first we’ve talked about on this blog, but they have proven to be some of the most colorful. Situated among correspondence, financial records, and similar items are several periodicals and posters that we hadn’t yet seen anywhere else.

Thomas Aloysius Hickey was born in Dublin, Ireland in 1869. In the 1890s he emigrated to the U.S., and within a year he had joined the Socialist labor Party, eventually serving as private secretary to none other than notorious International Workers of the World (IWW) founder Eugene V. Debs. Hickey left the east coast after being blacklisted by the bosses, and soon found work in Montana on behalf of its miners. That failed to pan out, too, so he ambled off to Texas in 1904. That’s where, from humble Hallettsville, he arranged speaking engagements on behalf of the Socialist Party all over the state, such as the one promoted in this bill.

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In 1916 Hickey supported Dallas U.S. senatorial candidate John Davis. Trounced in the election by former Texas governor and Senate incumbent Charles A. Culberson by a margin of 8 to 1, Davis nonetheless fared better than every other socialist who ran for office at the state or federal level in Texas that year. This was small consolation to Hickey, who was about to face still more adversity. In 1911 he had become editor of The Rebel, a weekly newspaper published in Hallettsville. “The great appear great to us only because we are on our knees. Let us arise,” was its slogan, which was adopted by Texas’ Socialist Party. That may have had something to do with the government’s suppression of the paper in 1917 via the Espionage Act.

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Hickey was one to collect national socialist publications, as well. Wilshire’s was among them, and Hickey’s Papers teem with issues of the periodical. Gaylord Wilshire, after whom the Boulevard in Los Angeles is named, was a nationally prominent socialist. Before being chased from California as an outspoken Red, he began publication of Wilshire’s (previously known as The Challenge, Wilshire’s Monthly Magazine, and Wilshire’s Magazine) in 1900. When he moved to New York, the magazine grew in circulation, eventually evolving into a tabloid newspaper (and, subsequently, discontinuing publication in 1915.) Check out the covers of Wilshire’s above and below: top-notch examples of early 20th century political cartoonery!

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Not least among Hickey’s causes was women’s suffrage. In the poster that began this blog, you might have noticed that women were encouraged to attend his lectures. This was by design. Hickey had copies of (and may well have facilitated the distribution of) numerous magazines about women’s enfranchisement. New York’s The Suffragist and Chicago’s The Progressive Woman are just two among several in the Papers.

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Hickey passed away in 1925, but not before publishing his own Tom Hickey’s Magazine for several years. We have more than a few of those in our holdings, each a fascinating look into an often-forgotten aspect of Texas political thought. Those, as well as all of Hickey’s other papers, are made available to visiting patrons by our excellent Reference Staff.

The Women Who Shaped Texas Tech – 2016 Edition

For the last two years, our University Archives Women’s History Month exhibit entitled “The Women Who Shaped Texas Tech” has graced our hallways. It celebrates several women whose influence on Texas Tech University is still felt today. This year is no exception, and the exhibit has received several new additions for 2016! Check them out:

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The first of this year’s celebrated Red Raider women is Hortense Williams Dixon, the first African American to graduate from Texas Tech with a doctorate degree. Born in 1926 in Houston, Texas, Dixon received her first degree, a B.S. from Prairie View State College, in 1946. An M.S. from the University of Minnesota followed in 1949, and in1970 she finally received an Ed.D. degree from Texas Tech. She specialized in education with a minor in home economics, which led to several academic positions including: Director of the Home Management Residence at Bishop College; Assistant Professor of Home Economics Education at Texas Southern University; and Part-time Instructor in Home Economics Education at Texas Tech University. After graduating from Texas Tech, Dixon returned to Houston to continue serving as an Associate Professor in home economics at Texas Southern University.

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Edna Maynard Gott was born on March 19, 1920, in Chandler, Texas. After receiving a B.S. in Economics from the University of Texas in 1942 and an M.S. from Texas Tech in 1954, she became an instructor in Economics at Tech. For more than a decade she battled with the department and university administration for equality in teaching rank, promotion, and tenure. In the spring of 1973 she was promoted to the rank of Assistant Professor, and nine years later became the first woman to achieve tenure in the Department of Economics.

Her work focused on the economic status and challenges facing women and minorities. To advance the cause for women’s rights she not only unmasked the inequities toward female faculty in academia, but also coordinated the Lubbock Chapter of the National Organization of Women. Gott was also an active member of the International Center for Arid and Semi-Arid Land Studies where she served on the Women in Development committee and was a founding member of the Women’s Studies Program.

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Born on July 5, 1917, in Lockney, Texas, Maxine Fry enrolled in Texas Tech in 1934 to study journalism. An active participant in campus life, Fry was a member of The Forum (later renamed Mortar Board), president of the Las Chaparitas sorority (later renamed Kappa Kappa Gamma), an occasional reporter for the Toreador newspaper, and winner of several school beauty contests including being named a 1938 Sun Bowl Princess.

In May 1937 she became the first elected female president of the Student Council. Under her leadership, Fry was able to successfully reinstate the school’s bonfire tradition. Bonfires had been banned by school administrators following outrage by Lubbock citizens over vandalism and theft of wood by Tech students. Her administration also wrote a revision of the Student Council’s constitution.

Fry went on to teach journalism for two years in Littlefield and Grandfalls, worked on The Midlander Magazine for its first seven years in publication, and was a charter member of the Midland Symphony Guild.

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Marsha Sharp grew up playing three-on-three basketball in Tulia, Texas. During her junior year at Wayland Baptist University she began her basketball coaching career when she took charge of the freshman team. After graduating with a master’s degree from West Texas State University, Sharp transferred to Lockney High School as head coach of the Lady Longhorns.

In 1981 she joined Texas Tech as an assistant coach, and during her tenure became one of the most celebrated coaches in the history of women’s college basketball. Coaching the Lady Raiders from 1982 to 2006, Sharp elevated the program to national prominence.

Though she retired from coaching in 2006, her legacy continues. Established in 2004, the Marsha Sharp Center for Student-Athletes provides student-athletes with academic services. Currently serving as Associate Athletic Director of Special Projects, Sharp oversees the development of the Fearless Champions Leadership Academy and the Marsha Sharp Leadership Circle.

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As an Animal Science major, Anne Lynch participated in Texas Tech’s Block and Bridle Club and Rodeo Club. While working in the horse barn of the Texas Tech Farm, Lynch became familiar with Happy V, the horse serving as the university’s animal mascot, and began riding him. She auditioned for the role of the Masked Rider, and in 1974 became the first female chosen to ride the sidelines for Texas Tech.

Although she had grown up riding horses and was familiar with Happy V, Lynch’s selection was met with skepticism. In the minds of some, women did not have the strength to handle the reins. Lynch had to convince football coach Jim Carlin and Animal Science chair Dale Zinn that she could indeed ride. Reaction to a female Masked Raider was mixed, but she had a successful year representing Texas Tech. Her proficiency in this role paved the way for future women to try out for the Masked Rider. Anne Lynch Hanson graduated from Tech in 1975.

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40 years ago, Lucille Graves sat down with one of our oral historians to share her story as the first African American student at Texas Technological University. Having already received her bachelor’s degree in 1961, Graves tried to attend Texas Tech to receive her masters but was repeatedly refused entrance on the grounds that its charter stipulated that the university was established for white students only. With the help of the NAACP, she confronted the university and was at last admitted after a phone call from Texas Tech President R. C. Goodwin. Soon Tech saw a peaceful, non-violent integration of the traditionally white college. In 1955 Graves was also the founder of Mary and Mac, the first black private school in Lubbock, Texas. She chose the name of her school after the children’s nursery rhyme, declaring that the “poem depicts the act of boys and girls in their desire to become useful in this society.”

So stop on by and visit the “Women Who Shaped Texas Tech” exhibit, or its companion exhibit in the main Library. They will be on display until June, so you have plenty of time to take them in.

Texas Independence Day: In the (19th Century) News…Again!

Every year in anticipation of Texas Independence Day (March 2nd, for those who aren’t from around here) we dig into our collection of Texas Revolutionary-era newspapers to see what folks of the early 19th century had to say about the soon-to-be Lone Star State. It turns out, they said a lot!

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Texas’ independence can trace its origins to a number of sources, one of the most significant of which was the Mexican Revolution (1810-1821) and the creation of the Republic of Mexico. That conflict was reported worldwide, including under somewhat misleading heading “South America” in this copy of the Aberdeen (Scotland) Chronicle from November 9, 1816. Only a small portion of the conflict took place in Texas, but the province does get mentioned in this early report. It was also on the mind of the United States, as the revolutionary forces frequently petitioned for legitimacy (and funds) from their northern neighbor.

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During these tumultuous revolutionary years, opportunistic men from the States kept their eye on the millions of acres of land that Mexico had to offer in the province of Tejas. The National Journal on August 6, 1825, reported an instance of attempts to purchase such territory. “Captain Leftwich” of Kentucky had recently moseyed into New Orleans claiming to have snatched up enough land for 800 families. Six to eight million acres of land, in fact! More importantly, speculation about adding Texas to the United States was also well underway in the paper.

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As an aside, have you ever wondered where some of the names of Texas’ counties and cities come from? Houston and Crockett are fairly obvious, named for heroes of San Jacinto and the Alamo, respectively. But Milam County is somewhat lesser-known. It’s named after Colonel Ben Milam, about which the Niles Weekly Register of Baltimore, Maryland, had a lot to share on July 19, 1828. He was a Kentuckian, but his status as a self-proclaimed “citizen of the world”–a world in which he bought up a whole lot of Mexican land (as had Stephen F. Austin, also mentioned in the article, and who is now the namesake of Texas’ capital.)

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By 1835, revolution was in the air! Texian rebels had risen, determined to free themselves from Mexican rule (and, not coincidentally, to ensure that Mexico was no longer going to tax all that land mentioned above…) The New Yorker on October 31, 1835, offered a glimpse of the excitement. Retaliation by Mexico’s President, “that Chief” Santa Anna “and his myrmidons (was) hourly expected.” Further flowered loquacions followed, including a letter written by General Sam Houston himself asking all patriotic Americans to volunteer to aid his people’s cause (and get a generous grant of land to boot.)

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The first battle of the Texas Revolution occurred at Gonzales on October 2nd, 1835. News traveled slowly in the 19th century, and so it was November 9, nearly a month after the skirmish, that Rhode Island’s Manufacturers and Farmers Journal, and Providence and Pawtucket Advertiser reported it. The numbers of combatants and casualties was exaggerated, turning two hours of desultory exchanges into a much larger conflict…but story probably wouldn’t have sold many newspapers.

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The Battle of San Jacinto on April 21, 1836, effectively ended the Texas Revolution in favor of the Texians. And despite what the August 17th, 1836, issue of the National Intelligencer would have you believe in these excerpts, Mexican forces never reentered Texas after the capture of President and General Antonio Lopez de Santa Anna during that fight. In fact, thousands of settlers swarmed Texas, eager for a fight (which was not forthcoming) and for a chance to settle in the newly liberated area (which definitely forthcame.)

These newspapers in their entirety, along with many of their contemporaries, can be found among our numerous digitized archival collections. For interested researchers who make the journey to us in Lubbock, some can even be viewed in person, along with our many other collections related to Texas history. Just give our cheerful Reference Staff a call and they’ll see what they can set up for you.