The Papers of Captain Robert G. Carter: Frontier Soldier

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The Southwest Collection is located on the Llano Estacado, also known as the South Plains. Folks have been visiting the region for more than a century in a half, which in those early years resulted in no small amount of conflict. One, the Battle of Blanco Canyon near the Brazos River in 1871, occurred between U.S. Soldiers and a Comanche raiding party. A survivor of that conflict, Captain Robert G. Carter, was awarded a Medal of Honor for his conduct in the fight. The Southwest Collection is fortunate to have his correspondence and related materials dating from the years after the fight, and we’re going to share some of it with you in this very blog!

The image at the top of this post is of a letter from Carter’s extensive correspondence with fellow veterans of the “Indian Wars.” Carter had served under Ranald Mackenzie both in that conflict and later along the Mexican border at the end of the 19th century. So, too, did this letter’s recipient, Col. R. P. Smyth. In this letter, Carter regales Smyth with some of the facts. Sadly, we do not have Smyth’s original or subsequent letters.

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Carter became well-known through his published memoirs, such as On the Border with Mackenzie (1935). He also sold maps of the conflict, such as the one referenced by renowned Texas historian J. Evetts Haley in the letter above. In another collection, we even have a copy of the map, which you can see below.

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History was Carter’s passion, and he promoted it not only through his publications, but also through participation in various organizations dedicated to preserving it. The 1932 newspaper clipping above (culled from a newspaper we unfortunately haven’t been able to identify) celebrating his elevation to commander of the Order of Indian Wars, an organization serving veterans of that conflict.

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And yet some of his papers are banal. Here we have a dispute with a bank over miscalculated interest. It rings as true then as it does for some of us today. In fact, Carter’s papers contain at least 14 pages of his back and forth with the Union Trust Company, full of pithy responses to their incorrect claims: “According to the mathematics taught me, two items of the same amount, one subtracted from the other, leaves 0.” Carter, telling it like it is!

The Robert G. Carter Papers comprise only a single archival box, but are packed with unique material like this, documenting Carter’s recollections of service, as well as his day-to-day life in the years following. They’re available in their entirety among our digital collections, and we’d love for any interested researchers (or the generally curious) to take a look through them.

The Diaries of William DeLoach, A West Texas Farmer

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“Years are the milestones that tell us the distance we have traveled…” These words, the first to appear in the diaries of William G. DeLoach (http://www.lib.utexas.edu/taro/ttusw/00161/tsw-00161.html), were not a platitude. DeLoach noted daily events in his diary from 1914 to 1964, often documenting the mundane life of a West Texas farmer, but at times exploring the emotional and philosophical depth of a man whose daily accounts spanned two World Wars, the Great Depression, and the assassination of John F. Kennedy.

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This is the first full page of his diary, written Wednesday, March 24th, 1914. It is a simple series of notes. He visited Ralls and Crosbyton, Texas, signed a cotton contract, and saw one of his laborers complete the maize harvest. Such entries comprise the bulk of his notes.

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This page includes October 29th, 1929, also known as Black Tuesday, when the stock market crashed and the Great Depression began. Yet the crash’s effect took its time crossing the country, so all he described that day was cutting feed until a rain began that lasted well into the night.

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The Depression, and more importantly the Dust Bowl, haunt the background of his diaries, but DeLoach coloring his stories of day-to-day life. On July 23rd, 1937, however, its effects came to the fore. “I hurt all day. Not with much heart. I can’t do any thing with any heart with such surroundings. I even can’t write any more. My (?) are all shot. Just to be the paying teller and nothing more is bad.” But then, as always: “Bill finished the feed plowing.”

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Some entries are punctuated by tragic or amusing local news. Early November 1937 saw a man lose an arm in a cotton gin: “That is bad…. They take too many chances.” The next day, DeLoach heard about an acquaintance who was “pinched for drunk.” He mused, “Too bad to get sauced in Sudan [Texas] if one is a stranger. Homeguard can.”

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“This is March 28th, 1964. My first entry was made on March 28th, 1914.” Infirm “in more ways than one,” William DeLoach set down his pen. “Goodbye, Diary. You have been lots of help in lots of ways.”

(An abbreviated version of the diaries was edited by Janet M. Neugebauer, former archivist at the Southwest Collection, and published as Plains Farmer: The Diary of William G. DeLoach, 1914-1964.)

The Sowell Collection Conference – 2017

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Thursday April 20th through Saturday the 22nd, the Southwest Collection/Special Collections Library will host the Sowell Collection Conference. Created through the generous support of former Texas Tech University Regent James Sowell, the Sowell Family Collection in Literature, Community, and the Natural World contains the personal papers of some of the most prominent writers on the natural world. The Conference will include scholarly papers and panels on many of the Sowell writers, a handful of which are featured below. The Conference is free, and open to the public.

Marc Reisner was an environmental writer and advocate. He is best known for Cadillac Desert: The American West and Its Disappearing Water (1986), a National Book Critic’s Circle Award finalist. It describes the role of water rights and water use in the history and development of the Western United States. Reisner has partnered with The Nature Conservancy and served as a staff writer and communications director for the Natural Resources Defense Council. He continued his activism and writing until his death in California in July 2000. His final book, A Dangerous Place (2004), was published posthumously.

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Lisa Couturier is an essayist, poet, and animal advocate. She graduated from the University of Maryland with a degree in Journalism and a certificate in Women’s Studies, then earned a Master’s degree from the Gallatin School at New York University. Her book The Hopes of Snakes explores the wild in urban spaces and the connections between the human and the nonhuman. Couturier’s work has appeared in Orion, Isotope, the American Nature Writing series, and National Geographic’s Heart of a Nation, among other publications. Her essay “Dark Horse” won the 2012 Pushcart Prize, and was nominated for the Grantham Prize for Environmental Writing. Her collection of poems, Animals/Bodies, won the 2015 Chapbook Award from the New England Poetry Club.

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Andrea Peacock is a Montana journalist covering Western politics and environmental news, and is the former editor of the Missoula Independent. She wrote Libby, Montana: Asbestos and the Deadly Silence of an American Corporation, and co-authored The Essential Grizzly with her husband Doug Peacock, another Sowell author. Her work has appeared in Mother Jones, High Country News, Denver Westword, Austin Chronicle, and Counterpunch.org. In 2010 she received a fellowship from the Alicia Patterson Foundation for her work on oil and gas development in communities of the Rocky Mountain West.

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Paul Gruchow was raised on a small, subsistence farm near Montevideo, Minnesota. He is the author of six published books on subjects ranging from the culture of the tall grass prairie, to what we teach (and fail to teach) rural children–work widely acclaimed for its lyrical prose and eloquence. A respected and inspiring educator, Paul’s writer-in-residence involvements included numerous institutions, among them the University of Minnesota and the Lake Superior Studies Program. He won the Minnesota Book Award for three books, including Boundary Water: The Grace of the Wild and Grass Roots: The Universe of Home. He also edited The Worthington Globe–an award winning newspaper.

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Starting at age 20, Paul Hawken dedicated his life to sustainability and changing the relationship between business and the environment. His practice has included starting and running ecological businesses, writing and teaching about the impact of commerce on living systems, and consulting with governments and corporations on economic development, industrial ecology, and environmental policy. His books include: Blessed Unrest: How the Largest Social Movement in History Is Restoring Grace, Justice, and Beauty to the World,  Natural Capitalism: Creating the Next Industrial Revolution (co-authored with Amory Lovins and L. Hunter Lovins), The Ecology of Commerce: A Declaration of Sustainability, Growing a Business, and The Next Economy.

Women Who Shaped Texas Tech – 2017

For the last several years, our University Archives Women’s History Month exhibit entitled “The Women Who Shaped Texas Tech” has graced our hallways. It celebrates women whose influence on Texas Tech University is still felt today. This year’s honorees represent some of the best and brightest contributors to Tech’s excellence.

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Ginger Kerrick was born on November 28, 1969, in El Paso, Texas, and spent her youth dreaming of a future career in space and athletics. A knee injury early in her college years led her to focus full-time on science education, and so she transferred to Texas Tech University with the help of scholarships and student job opportunities procured by Dr. Walter Borst of the Physics Department. She earned her B.S. in 1991 and her M.S. in 1993, both in the field of physics. An internship with the Johnson Space Center got her foot in NASA’s door, and her dogged determination to gain full-time employment with the agency proved successful despite a hiring freeze and disqualification from the astronaut interview process due to a health issue. Employed for over two decades with NASA, Ginger held multiple positions, most notably as the first non-astronaut capsule communicator in 2001 and as a flight director in 2005. She is the first Hispanic female to hold that position.

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Jeannine McHaney is credited with establishing and growing Texas Tech’s women’s athletic program. She began her career at the university in 1965 as an assistant professor in the Department of Health, Physical Education, and Recreation. In 1966 she was appointed the Women’s Intramural Director and given a measly annual budget of $500 to run the program. It was only able to exist due in part to coaches contributing their time for free. In addition, Jeannine served as the volleyball and gymnastics coach. With the enactment of Title IX in 1975, Jeannine was appointed as the first Women’s Athletic Director and, during her 10-year term in that role, she grappled with issues such as inadequate funding and poor facilities for women’s athletic teams. Over the course of her 28 years with TTU, Jeannine was influential in women’s athletics in both the Southwest Athletic Conference and the NCAA. Among her many accolades was being named the 1993 Administrator of the Year by the Women’s Basketball Coaches Association.

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Born in 1949 in San Angelo, Texas, Tina Fuentes knew from a young age that art was her calling. She accordingly channeled her passion, strength, and understanding of the fundamentals of composition, perspective, and color into becoming a nationally recognized multi-media artist. She earned a B.F.A. in 1973 and an M.F.A. in 1975 from North Texas State University. Tina specializes in the areas of painting, drawing, and printmaking. Since 1982 her work has been featured in numerous one-woman and multi-artist exhibitions, as well as a documentary film, El Arte de Tina Fuentes that was broadcast on PBS. She has received several artist-in-residence awards, faculty awards, and research grants, with the most recent being a sizable National Science Foundation collaborative grant with TTU Atmospheric Science Professor Eric Bruning. Tina also shares her love of art with students through a long teaching career that began in 1972 in the Abilene I.S.D. and continues into 2017 at Texas Tech, where she is a tenured professor in the School of Art.

Colonel Margaret M. Henderson, USMC

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March is Women’s History Month, so with that in mind we’re sharing the story of USMC Colonel Margaret Henderson (whose papers we are fortunate to house) and the Marine Corps Women’s Reserve.

Faced with manpower shortages in 1918, Marine Major General Commandant George Barnett asked the Secretary of the Navy’s permission to enlist women for clerical duties. That August, Opha Mae Johnson became the first woman to enlist in the Marines, with 305 eventually joining in 1918 and taking over stateside clerical duties from battle-ready Marines needed overseas. The women were nicknamed “Marinettes.” The vast majority of USMC Headquarters personnel—almost 85% in fact—were women by the end of World War II. The Marine Corps Women’s Reserve was officially established on February 13th, 1943. The MCWR was often referred to as the “Lady Marines.”

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Women held over hundreds of jobs: radio operator, photographer, parachute rigger, driver, aerial gunnery instructor, cook, baker, quartermaster, control tower operator, motion picture operator, auto mechanic, telegraph operator, cryptographer, laundry operator, post exchange manager, stenographer, and agriculturist. Soon they numbered over 800 officers and 17,640 enlisted troops, although by July 1946 only around 1,000 remained in service. Regardless, in 1948 Congress made women a permanent part of the regular Marine Corps, and thousands of active and reserve soldiers served actively in the Korean, Vietnam, and Persian Gulf conflicts.

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Margaret M. Henderson was one such Marine. Born in Cameron, Texas, on February 6, 1911, she received a degree in business administration from the University of Texas in 1932, and taught in Lubbock, Texas, until 1942 at which time she enlisted in the USMC. Her career began as a second lieutenant, and although her service officially ended in 1946 so that she could teach at Texas Technological College (now Texas Tech University), she returned to the Corps in 1948. Ultimately, her time in the Marines spanned 21 years. She reached the pinnacle of her career when she was named the Director of the Women Marines, a post she held from 1959 to 1964.

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If you want to look deeper into Henderson’s papers, our Reference Staff would be happy to help you with that.

“Governor Coke Stevenson: Mr. Texas” – An Exhibit at the Southwest Collection

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The Southwest Collection/Special Collections Library will soon be exhibiting portions of the papers of Texas Governor Coke Stevenson. Documenting his life and career from childhood to retirement in Junction, Texas, the exhibit will run from mid-spring to mid-summer.

Coke Stevenson was born on March 20, 1888, at his grandparents’ home between the little towns of Katemcy, Fredonia, and Pontotoc, in Northeast Mason County, Texas. Throughout his life Stevenson was an entrepreneur and civic leader: a cowboy at ten; the owner of a freight-line between Junction and Brady, Texas, at sixteen; a janitor who worked his way up to bank clerk by 18. Ultimately, he became a member of the bank’s board, and later became president of several banks. He was part owner of grocery, drug, and, hardware stores, the Junction Eagle newspaper, the Fritz Hotel, and Llano River Irrigation and Milling Company, along with water, electricity, ginning, grist mill, and irrigation businesses. He apprenticed under a former state judge, and the Fourth Court of Civil Appeals admitted him to the bar in 1913. Remarkably, he only completed twenty-two months of formal education.

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Stevenson served two terms as Kimble County Attorney and County Judge, but soon was was elected to the Texas House or Representatives, where he became its first two-term Speaker.  In 1938 he was elected Lieutenant Governor and was reelected in 1940 before assuming the governorship in August 1941, when W. Lee “Pappy” O’Daniel resigned to fill the U.S. Senate seat vacated by the deceased Morris Sheppard.  Stevenson served two gubernatorial terms during World War II, during which time he supported the war effort and President Roosevelt, and inspired the Good Neighbor Commission.

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Affectionately known as “Mr. Texas,” after the war he ran for O’Daniel’s vacated U.S. Senate seat against Congressman Lyndon B. Johnson.  He lost a contested run-off when George Parr, the so-called “Duke of Duvall County,” allegedly had Voting Box Number 13 stuffed with 202 ballots that tilted the election to LBJ.

Politics wasn’t the entirety of Stevenson’s life. In 1913 he married Fay Wright, and soon they were blessed with a son, Coke Robert Stevenson, Jr. Fay died in 1942 while Stevenson was governor. After leaving public office he married in 1954 the Kimble County District Clerk, and widow, Marguerite King Heap, with whom he had a daughter, Jane Stevenson. After the failed Senatorial campaign, Stevenson returned home to his Kimble County law practice, friends, and ranch. There he cowboy’d for a while, and took extensive road trips with his family, visiting all 48 contiguous states. He died at 87 years of age on June 28, 1975.

That’s the biography, but the exhibit is so much more! Come by and take a look at it if you have the opportunity. Also, if you’d like to view the Coke Stevenson Papers, they will be available for research use before the exhibit ends. Our Reference Staff will always help you find what you need.

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The Twelve Days of Raiderland: A TTU Holiday Ornaments Exhibit at the SWC

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It seems like we never run short of new exhibits here at the Southwest Collection! In November and December, our University Archives is displaying yet another wonderful collection of artifacts for our visitors to look over. This time it’s a roster of Texas Tech’s annual holiday ornaments. Designed around various locations, events, and symbols of the University, the ornaments are available every year. Twelve ornaments grace the exhibit, and here are some of the best.

The first is, of course, an ornament of one of Texas Tech’s mascots, the Masked Rider (above) distributed in 2000. The holiday season is football season, so, really, they belong together.

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This 1997 ornament depicts TTU’s iconic bell tower, known to ring out from time to time during the holiday season. And that, folks, is how you make a pun.

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This ornament, fashioned in 1998, depicts Tech’s ubiquitous Double T symbol. The accompanying photo (one of this author’s favorites) is the Double T Bench, donated as the 1931 senior class gift. It resides on the south side of the Administration Building.

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In 2016 TTU’s Carol of Lights will celebrate its 58th year. While this photo of the event in 1960 is beautiful, today the Carol is a sight to see. Over 25,000 LED lights adorn the 18 buildings surrounding Memorial Circle, the Science Quad, the Engineering Key, and the Broadway Entrance to campus.

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The United Spirit Arena was one of the priority fundraising endeavors conducted under Texas Tech’s first Chancellor, John T. Montford. It officially opened in the fall of 1999. This ornament was created in its honor that same year. Fun fact: the first concert held there was by Elton John on February 8th, 2000. In 2010 Elton John returned to the arena for a second show.

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This ornament (and this homecoming parade float) celebrated TTU’s 75th year. The college was established in 1923 by Texas Senate Bill No. 103, which is often referred to as “the school charter.”

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2003’s ornament celebrates the Matador song. Written in 1930 by R. C. Marshall with musical score by Band Director Harry LeMaire, it is sung at the end of every graduation ceremony at Texas Tech.

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The Texas Tech Seal was designed in 1924 by architect William Ward Watkin, and now a 12-foot red granite seal anchors the Broadway Entrance to campus in the Amon G. Carter Plaza. 2004’s ornament celebrated the seal.

There are but eight of the ornaments in the exhibits. Feel free to come check out the others, or any of our many other exhibitions!

 

Fall into Diversity: An Exhibit of our University Archives

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This fall, our University Archives has created “Fall into Diversity: My Story,” an exhibit showcasing individuals involved with Texas Tech University whose stories were chronicled among our many, many oral histories. In their words:

“Everyone has a story to share, a perspective that helps better round out the history of a person, place or thing. For 60 years, the Southwest Collection/Special Collections Library has conducted oral history interviews as a way of preserving people’s memories and views on a vast variety of subjects. ‘Oral history is both the oldest type of historical inquiry, predating the written word, and one of the most modern, initiated with tape recorders in the 1940s and now using 21st-century digital technologies,’ states the Oral History Association. As of 2016, the Southwest Collection has conducted over 6,500 interviews, recorded through a number of methods as technology has evolved. Many of these interviews feature Texas Tech-related faculty and alumni. This exhibit showcases a small sampling of the diverse interviews done over the past two decades.”

 

Stella Ruth Courtney Crockett (pictured above) was born on October 4, 1943, in Lubbock, Texas, and attended Dunbar High School. In the summer of 1961, after learning that Texas Tech would integrate, she was among a very small group of African Americans who decided to attend. Despite being accepted into the Texas Tech marching band, Stella found it a difficult task to be among the first to break a long-held barrier. For example, she enrolled in another section of a class because the first instructor used disparaging language toward her. Support from her family, church, and community helped her stay on course and she pointed to her mother’s encouraging words of “sticking it out” as a motivator. “It’s my right to be here. I deserve an education and I’m going to get it,” she recalled in her March 3, 2010, interview.

From the 2nd grade, Stella wanted to be a teacher. In May of 1965 she earned her bachelor’s degree and thus became the first African American to attend Lubbock schools from K-12, attend all undergraduate years at Texas Tech, and successfully graduate. Stella retired in June 2009 after 43 years of teaching.

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Anita Carmona Harrison was born on February 17, 1944, in Lubbock. Following a tour of the Texas Technological College campus with her second grade teacher, Mrs. Billie Everton, Anita decided she wanted to attend and started a piggy bank fund. In the fall of 1963 she enrolled at Texas Tech. Of her college years she fondly recalls “meeting people from diverse backgrounds,” hanging out with friends in the SUB, and being taught once again by Dr. Everton, who had become a professor at Texas Tech.

In 1967 she graduated with a bachelor’s degree, went on to teach bilingual kindergarten classes and, in 1969, helped develop Lubbock ISD’s first Curriculum Guide for Bilingual Kindergarten. She continued to teach elementary school while raising two daughters and, in 1999, she retired from LISD after almost 30 years from public teaching.

Anita is recognized as the first Lubbock-born Latina to attend Lubbock schools from K-12, attend all undergraduate years at Texas Tech, and successfully graduate. She grew up in a very tight-knit family and has proudly shared stories of her childhood, family, and community in the Lubbock Avalanche-Journal and Latino Lubbock magazine. Her oral history interview was conducted on December 8, 2009.

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Bernard A. Harris, Jr., was born on June 26, 1956. From ages 7 to 15 he lived with his mother on a Navajo Indian Reservation where she worked as a teacher. “She told me I could do anything,” he recalled in a 1995 University Daily interview, and it was under her positive influence that he dreamed he could reach the stars. “I knew I wanted to be an astronaut when I first saw human beings land on the moon.”

Bernard received his bachelor’s degree from the University of Houston in 1978 and his medical degree from Texas Tech School of Medicine in 1982. His residency at the Mayo Clinic was completed in 1985, after which he worked with NASA where he completed a research fellowship in 1987 and training as a flight surgeon in 1988. On February 3, 1995, Bernard also became the first African American to walk in space.

After his stint as a scientist and flight surgeon with NASA, he went on to serve as a professor of medicine at several Texas universities, and on the Board of Regents at Texas Tech Health Sciences Center. In his December 15, 1998, oral history interview Bernard expressed that he wanted to be known as a visionary or a dreamer.

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Gary Stewart Elbow was born on November 15, 1938. He received his bachelor’s degree from Oregon State College in 1960 and his master’s degree from the University of Oregon. He came to Texas Tech in 1970 as an assistant geosciences professor and later earned his Ph.D. from the University of Pittsburg in 1972.

In his many administrative and teaching roles over the course of 45 years at Texas Tech, Gary observed firsthand the changes the university underwent, most notably the battle over tenure and academic freedom when Texas Tech was censured by AAUP. He also saw the founding of an Honors College, where Gary continues to teach. He has held every position in the Faculty Senate and has worked for many years as a Marshall at graduation ceremonies.

In his June, 20, 2010, oral history interview, Gary reminisced about the university’s changing role under former President Grover Murray in the 1960s and 70s. “So this was an exciting place. Things were really hopping, and the idea at the time was that we were going to become more than just a regional university.” Without a doubt, Gary is one of the individuals who contributed to Texas Tech becoming a Tier One institution.

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James C. Watkins was born on May 28, 1951. In a November 20, 2009, interview he shared how his grandmother and mother encouraged his artistic development by allowing him to use old calendars as drawing pads, and supported him taking “Draw Me” art correspondence courses. James continued his education by receiving his B.F.A. from the Kansas City Art Institute and his M.F.A. from Indiana University. He taught at Indiana University and Hampton University before coming to Texas Tech in 1983 as an assistant professor of architecture.

For over 30 years he has specialized in ceramics, particularly in the use of raku. He is a co-author of two books, Alternative Kilns & Firing Techniques and Architectural Delineation, Presentation Techniques and Projects, and is the subject of a third book, A Meditation of Fire: The Art of James C. Watkins. In 2005 he became a Fulbright Scholar, and his contributions to the field of art were recognized at Texas Tech in 2006 with his promotion to the esteemed rank of Horn Professor. Examples of his work reside in the White House Collection of American Crafts, the Shigaraki Institute of Ceramic Studies in Japan, the Texas Tech University Public Art Collection, and have also been part of two different Smithsonian exhibits.

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Lauro Fred Cavazos was born on January 4, 1927, on the King Ranch. He earned his B.A. and M.A. at Texas Tech University and a Ph.D. from Iowa State University. Lauro taught at the Medical College of Virginia and at Tufts University School of Medicine in Boston, where he was also Dean from 1975 to 1980, before returning to Texas Tech in 1980 to become its tenth president. He is the first Hispanic and first graduate of the university to hold the title of president.

A recognized expert in both the field of medicine and the field of education, Lauro’s accolades were numerous. Most prominently, on September 20, 1988, he was unanimously confirmed as Secretary of Education, making him the first Hispanic to serve in the U.S. Cabinet. He continued in that position until December of 1990.  The TTU Board of Regents bestowed an honorary degree upon him in 2016.

Cavazos grew up attending segregated schools and was the child of a ranch foreman. In his January 25, 1991, interview Lauro discussed why it was important for Mexican American families to teach their children English and prepare them for school.


Those interested in the exhibit, “Fall into Diversity: My Story” are welcome to visit it from fall until spring at the Southwest Collection/Special Collections Library’s Coronelli Rotunda.

Dirk West: Sports Cartoonist

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It’s time for a new exhibit at the Southwest Collection! This fall we’re sharing a tribute to Dirk West, a Texas Tech alum and famed sports cartoonist of the Southwest Athletic Conference (among many other accomplishments.) On the evening of Friday, October 14th, we’ll be hosting a reception celebrating the exhibit’s opening. Come on by and visit! Or at least check out some of the exhibit’s fabulous images below.

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Gerald Glynn “Dirk” West (October 23, 1928-July 26, 1996) was a businessman, television personality, and former mayor of the City of Lubbock, Texas. Shortly after his birth in Littlefield, Texas, Dirk’s family moved to Lubbock, Texas. There, while attending Lubbock High School, Dirk created “Westerner Willie” for the school’s Westerner World. Dirk’s widow, Mary Ruth West, recalls Dirk stating that this was also the beginning of his nom de plume. After graduating high school Dirk continued cartooning at Texas Tech University (TTU).

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At TTU, Dirk created an oafish character named “Smedley” (above) for the Toreador, the Texas Tech student newspaper. Mary Ruth believes “Smedley” served as the precursor to “Ol’ Red,” the grizzled version of Raider Red that decorates the image below. The figure graced the Toreador’s pages until Dirk’s graduation in 1954 with a degree in Advertising.

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Some years later Burle Pettit, sports editor of the Lubbock Avalanche Journal, asked Dirk to consider drawing a Southwest Athletic Conference (SWC) cartoon for the paper. And so it was that on September 24, 1964, the first SWC cartoon appeared therein. It featured Texas Tech Football Head Coach J. T. King and his men preparing for the arduous task of playing the defending National Football Champions, the Texas Longhorns. He would go on to develop the mascots of all the SWC schools into recognizable caricatures, such as UT’s Bevo, below.

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So come on by and check out our exhibit! And if you’d like to see more of Dirk West’s work, as well as his archival papers, don’t hesitate to get ahold of our Reference Staff. They’re always ready to help you out however they can. We also hold the records of the Southwest Conference, the Big XII Conference, and a host of other sports organizations. They too are available to interested researchers.

Fire in the Water, Earth in the Air: An Exhibit of the Crossroads Music Archive

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Among the many collections located at the Southwest Collection/Special Collections Library the Crossroads of Music Archive is unique. Comprised of the papers of West Texas musicians, Crossroads also contains recordings, artifacts such as posters and instruments, and other materials documenting West Texas’ rich musical history. “Fire in the Water, Earth in the Air” is an exhibit showcasing the work of Chris Oglesby, who can be seen throwing a dramatic Texas Tech “Guns Up,” above. More specifically, it focuses on the book from which this exhibit gets its name.

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Chris Oglesby grew up in Lubbock where his father was a coach and his mother an English professor, both at Texas Tech University.  While earning his bachelor’s degree and doctorate of jurisprudence from Texas Tech, Chris immersed himself in Lubbock’s musical nightlife. However, it took moving to Austin in 1991 for him to learn how greatly artists from his hometown had affected the music and art scenes of Texas and the world beyond.

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In 1998, Chris began interviewing musical artists with ties to Lubbock. He paired those with articles, photographs, and other research materials to augment the amazing stories from the talented musicians. Posters and playbills similar to the one below were not neglected.

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After seven years of research, Oglesby published Fire in the Water, Earth in the Air. The book highlights twenty-five musicians and seeks to discover what it is about Lubbock and West Texas that feeds the creative process and spirit. More than a few notes were scribbled down in the notebook below.

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September 1, 2016 will be the tenth anniversary of the book’s publication. In conjunction with that, we are proud to announce that the Chris Oglesby Papers are now housed in the Crossroads of Music Archive. They are open for research, and a simple call or email to our dedicated Reference Staff can get them into your hands.