The French Book of Hours: Tradition and Innovation – An Exhibit at the Southwest Collection

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We love our exhibits here at the Southwest Collection, and so we’ve installed a new one showcasing items from our Rare Books Collection! Entitled “The French Book of Hours: Tradition and Innovation,” it displays the titular volumes of personal devotion that divided and classified time according to the liturgical cycles of the medieval church. Of course, the displayed items are replicas–the originals are far too valuable to expose to damaging UV light for any length of time. Even so, they’re a sight to behold.

Books of Hours were popular for several centuries, and were commissioned by and created for specific lay owners. Each is therefore unique, especially in regard to their artwork.  Still, many contained common elements, which often included the Office of the Dead. Two of the Books of Hours we have on display were created for Jean, Duc de Berry (1340-1416): the Grandes Heures (1409) and the Très Riches Heures (begun ca. 1412, finished ca. 1489), and it is their examples of the Office of the Dead upon which we’re focusing here.

Consisting of a collection of the church’s official prayers, the Office of the Dead seldom contains more than one illustration. Rather, it traditionally depicts a funeral service in which a priest or some other religious figure recites prayers over the dead. The image at the beginning of this blog comes from the Très Riches Heures, and depicts twelve monks seated around a coffin beneath a table decorated with the Duc de Berry’s coat of arms. The woman standing in the doorway may not be simply a nun, but the Duchesse de Berry herself mourning the death of her husband.

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The images above and below are armorial images of a wounded swan and a bear holding the Duc de Berry’s flag. They are embedded within the border of the page of the funeral service in the Grandes Heures. Occurring in the context of the Office of the Dead, they could be homages to the early deaths of the Duke’s sons.

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Here is another image from the Grandes Heures: an illustration of the Mass for All Souls. It is representative of the traditional depictions of the Office of the Dead, in this case providing a view into an interior where monks pray over a coffin covered in black cloth.

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The page above is replete with illustrations of historical and liturgical events. But what would a one of these pages be without the customary representation of death? Below the central miniature, which contains a corpse in an open casket, is a scene intended to warn the viewer that death will eventually take us all. That’s heavy stuff, but because this was illuminated in the years not long after repeated visitations by the Black Death, this was not an uncommon motif.

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This final illustration is a unique departure from the conventional images more commonly accompanying the Offices of the Dead. For one thing, it depicts an exterior burial scene, complete with excavated and partially decomposed corpses. It is possible that this image represents Duc de Berry’s personal relationship with death.

Our Rare Books collection is impressive, and these Books of Hours are among some of its most fascinating. If you’d like to see some of our other, similar materials, why don’t you stop on by and let our Reference Staff see what they can arrange for you? At least head over and check out the exhibit! It’s one-of-a-kind.

From the Depths of our Rare Books: Victorian and Georgian Engravings!

It’s no secret that we love our Rare Books Collection here at the Southwest Collection. Ranging from pulp to more canonical works of literature, they’re a delight to browse. There are some oddities in there, though. Take our Engravings Collection, for example. Containing printings of engravings ranging from 1720 to 1895, they portray a diverse swath of Georgian and Victorian era United Kingdom life, with a smattering of India, Italy, and France thrown in. Just check these out!

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Many of the engravings in this collection graced the covers of periodicals. For just one penny, readers of Saturday Magazine throughout England had an opportunity to see the Duke of York Column. It memorializes George III’s eldest son and England’s legendary general, and is only slightly less effective in that regard than the nursery rhyme “The Grand Old Duke of York.” When this engraving was made in February 1833, the column had only been standing for a couple of months.

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In the church of St. Catherine Cree lies Sir Nicholas Throckmorton, once the Chief Butler of England (among a host of other notable positions.) This engraving of his sarcophagus shows the knight looking pretty relaxed for a man who moonlighted as ambassador to France and Scotland while raising–or at least siring–10 sons and 3 daughters.

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It’s important to keep in mind that not everyone in the UK was able to travel to London to view its many splendors despite the proliferation of railroads at that time (the first public railway had opened in 1825, four years before the above item was published.) Only through engravings that were later printed onto publications such as this one, The Mirror, could British citizens hope to see the Grand Entrance to Hyde Park.

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French history was a popular topic in these engravings; revolutions in France doubly so. The lower image is an imaginative depiction of the 1848, or “February,” Revolution, which forced the abdication of King Louis Philippe and began France’s Second Republic. The upper one is of the ousted Louis Philippe upon his arrival in Newhaven, England, in 1848. Having ruled France for the previous 18 years, he was reduced to enjoying the protection of Queen Victoria, spending his remaining days in Claremont, Surrey, where he died in 1850.

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France wasn’t the only nation falling under the shadow of revolution in 1848. The Sicilian revolution of independence began in January of that year, and gave the island nation a brief 16 months of self-governance until the Bourbons retook it. But they could not take away their fine mustaches, immortalized in this image.

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Not all Italian scenes in these works were of violent revolution, though. Some were simple images sprung from the imagination (and, possibly, the real-world observations) of the artist. This street scene in Naples is one such. Whether or not it reflects a particular national bias by the British artist, it’s certainly detailed and lively!

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We end with another Saturday Magazine cover, this one featuring the Pilchard fishery. That’s not the name of the fishery itself, however, but of the fish, which you might know now as a herring or sardine. Harvested from Ireland to Australia, pilchard’s were big business. Big enough, anyway, to merit a full cover spread for Saturday’s readers in 1833.

And there you have it – the briefest of samples of our fine engravings collection! If you want to see more, look no further than our kindly Reference Staff who can get others into your hands without delay.

Sowell Conference 2016 – and the Orion Society Collection!

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As we do every year around this time, the Southwest Collection/Special Collections Library will host the Sowell Collection Conference, which will take place this year from Thursday, April 21st to Saturday the 23rd. Created through the generous support of James Sowell, the Sowell Family Collection in Literature, Community, and the Natural World contains the personal papers of some of the country’s most prominent writers who are dedicated to documenting the ways in which we interact with our world, and creating new ways of examining our world and our place within it. The list of authors whose papers we preserve is far too long to list here in its entirety, but some of the most prominent include Rick Bass, William Kittredge, Barry Lopez, Doug Peacock, Pattiann Rogers, and Annick Smith. These authors have provided published books, correspondence, research notebooks, diaries, calendars, photographs, computer files, film, and a host of other materials for our researchers to use. This year, the Collection was also fortunate to receive the records of the Orion Society!

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A group of writers, environmentalists, and activists, the Orion Society believes that “humans are morally responsible for the world in which we live, and that the individual comes to sense this responsibility as he or she develops a personal bond with nature.”  The Orion Society focuses on teaching how nature and communities might be healed.  Their publication, Orion, is a respected journal which highlights global efforts to achieve sustainable communities. And it has incredible cover photos, as you can see throughout this blog.

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The Myrin Institute began publishing Orion Nature Quarterly (now simply Orion) in 1982. Ten years later, Myrin established the Orion Society to conduct writing workshops, secondary education initiatives, and grassroots networking. But at its core, the Society focuses on teaching how nature and communities might be healed. Many writers whose papers are housed in the Sowell Collection have been regular contributors to the journal–including Barry Lopez, Priscilla Ybarra, Lisa Couturier, and Robert Michael Pyle who will be hosting an Orion panel at this year’s Sowell Conference.

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An important event in the Society’s history, which our Orion Society Collection thoroughly documents, is the Forgotten Language Tours. Held from 1992-2003, they facilitated events in communities across the U.S. in which writers and poets offered readings, workshops, and discussions that attempted to strengthen the local community’s understanding of the natural world and human community as well as to promote nature literacy.

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The Fire & Grit and Watershed conferences were similarly prominent events. The former was held in 1999 at the National Conservation Training Center, the largest gathering ever to take place there. The Watershed: Writers, Nature and Community conference, cosponsored by the Library of Congress, took place in Washington, D.C., April 15-20, 1996, with over three thousand people in attendance.

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Finally, the society presents The John Hay Award for Nature Writing annually to writers whose work is vital in reconnecting people to the natural world. Award winners include John Hay, Ann Zwinger, Wendell Berry, Homero Aridjis, Peter Matthiessen and Jane Goodall. In 2004 and 2010 Orion won the Utne Independent Press Award for General Excellence. The magazine was a finalist for a National Magazine Award in the Essay category.

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The Orion Society published two anthologies of writing from Orion: Finding Home (1992) and The Future of Nature (2007); and two educational series: The Nature Literacy Series and the New Patriotism Series. But the collection holds more than just issues of Orion and these other publications. Correspondence and manuscripts are present, as are audio/visual materials and photographs. The Orion Society Notebook published from 1995 through 1997 (sometimes under other titles) is also available for your reading pleasure.

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So make plans to attend 2016’s Sowell Conference if you can. But if you can’t, don’t hesitate to view the Orion Society’s records in our Holden Reading Room, where our ever-attentive Reference staff would be happy to get them into your hands.

Elmer Kelton’s Papers at the Southwest Collection

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The Southwest Collection is home to the papers of a number of prominent fiction and non-fiction writers, but few among them were as prolific as Western fiction writer Elmer Kelton. Born in 1926 in Horse Camp, Texas (a name that destined him to do something related to West Texas…), Kelton was raised on the McElroy Ranch near Crane, Texas, where his father worked for over thirty years. This experience among a host of others throughout his life shaped the ensuing five decades of non-stop composition.

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After a stint at the University of Texas at Austin from 1942 to 1944, then 1946 to 1948 (sandwiching two years of service in the army during World War 2), he acquired a journalism degree and returned to West Texas where he spent over a decade writing for local newspapers. Kelton’s work appeared primarily the San Angelo Standard-Times, but pieces appeared throughout the region, such the one above from the Big Spring Daily Herald.

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But it was the authorship of more than 30 novels that made his reputation. The resulting accolades are almost too many to list (but we’ll try). 3 Western Heritage Awards, given by the National Cowboy and Western Heritage Center; 7 Spur Awards from the Western Writers of America; the Barbara McCombs/Lon Tinkle Award from the Institute of Texas Letters; a lifetime achievement award from the National Cowboy Symposium; and the first Lone Star award for lifetime Achievement from the Larry McMurtry Center for Arts and Humanities at Midwestern State University. Oh, and in April 1997 the Texas Legislature declared an Elmer Kelton Day.

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Novel-writing and award receptions had to be scheduled around his other career. Kelton spent five years as Sheep and Goat Raiser Magazine’s editor, twenty-two as associate editor of Livestock Weekly, and of course, the diligent newspaper work that he continued until the 1990s. The excerpt above is an excellent example both of his prose and the sense of humor that permeated it (as well as a host of entertaining ads for the upcoming local rodeo).

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As a longstanding member (over 40 years) of the Western Writers of America, Kelton often found himself collaborating with other writers. The letters below and above, dating from 1972, concern a project wherein several writers would compose a story by passing it from writer to writer, each of whom would add to it before giving it to the next. Although the outcome of this project wasn’t apparent from a brief search through the boxes of correspondence in his Papers, we suspect a dedicated researcher might find the answer someday.

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Elmer Kelton’s catalog continued to grow even after his passing in 2009, with Texas Standoff, a novel in his Texas Rangers series, appearing posthumously in 2010. But honestly, our 500 words of description are hardly able to do justice to the man’s colossal body of work. His novels are widely available in libraries (including ours) and you’d do well to pick one up and read it through. Or, if you’d like to research further into the nuts and bolts of a famed Western writer’s process, our helpful Reference staff would be happy to get Kelton’s papers into your hands.

 

Wonders from the World of the Astounding and Fantastical Dime Novels

air rocketThere was a time not so long ago when adjective-slathered tales of steam-fueled engineering and two-fisted, crack-shot cowboys filled the pages of cheaply printed dime novels. We love those stories, and today, for you, we have a whole passel of some of the finest covers of the dime novels from our modest collection of them.

Now, normally we would try to provide some context or commentary on them, but this week we feel that these really speak for themselves. So enjoy the B’hoys of Yale, Thomas Edison, Jr., and the incredible Steam Man, and if you want to read them through, stop on by and visit with our Reference Staff who will boldly venture to our stacks and plunder them for you!

boys of yaleWhat hard-knock lessons await these scrappy boys of Yale University?

calamity janeCrack shot and queen of Whoop-Up. A maiden with which men dare not trifle!

electric sea spiderTom Edison, Jr., famed inventor’s son and Wizard of the Submarine world. Journey with him into the dark depths that not even Jules Verne could imagine!

deadwood dickDeadwood Dick strode the pages of many a dime novel, and you’d be the most villainous of rogues not to follow him in his adventures.

electricsubmarineYou saw Thomas Edison, Jr., above, but his era was filled with nautical ingenuity and perilous adventure. Frank Reader, Jr., son of the inventor of the Amazing Steam Man (below) left the trackless expanses of his father’s prairies for another boundless world: the briny deep!

steam manBehold! The impossible made possible! Perpetual motion across the vast hinterlands of these United States.

unknown planetAnd lastly, two boys who would not be denied, who sought the final frontier, the dark void that lies between we denizens of Earth and the unimaginable Unknown Planet!

Buffalo Bill and the Saga of His Dime Novels

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The SWC has a lot of books. Some of them are rare, some not so rare, and some incredibly entertaining. And as you may know by now, we love to share the latter most of all. These dime novels about Buffalo Bill are a prime example. According to the preliminary pages of the books, “they depict actual adventures…interwoven with fiction; historically the books are correct.” Is that true? Well, head on over to browse amongst them in our digital collections and find out. You could start with Buffalo Bill’s Determination, above, which having been published in 1910 is one of the earliest ones we possess.

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The Buffalo Bill dime novels were written by Prentiss Ingraham, a Mississippi-born author who served in the Confederate Army in 1861 where he was wounded twice working for the Texas cavalry. By 1884 he had met Buffalo Bill Cody, worked for his Wild West Show, and penned over six hundred dime novels, many of which concerned his employer. He swore up and down that they were based on actual events. Perhaps the above tale of Buffalo Bill’s Bold Play, or Tiger of the Hills–the story of Juniper Joe’s carefully guarded mine and the tragedies that befell him, the nearby town, and those who sought his fortune–was the truth. Who’s to say?

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But let’s back this story up for a second. What is a dime novel? Glad you asked. Typically published as pamphlets of about 100 pages, dime novels often spun yarns of the Wild West and figures such as Buffalo Bill (of course,) Kit Carson, Billy the Kid, and Wyatt Earp. These heroes were cool customers, quick-drawing cowboys who were always on the lookout for maidens needing rescue from outlaws and Indians. Prentiss’ stories were among some of the most popular, and of course they only cost a dime (or, on a lucky day, a nickel.) By the 1920s, most of these publications were replaced by pulp magazines and, a little later, western novels of the Louis L’Amour variety. But in their day, audiences couldn’t get enough of them.

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Curious to read more about Buffalo Bill’s exploits? Then head on over to our digital collection of Ingraham’s stories. And if you’re interested in other rare books or our many archival holdings, browse around that site and see what you find. Finally, and as always, if you need to see something live and in person, our ever-diligent Reference Staff will get on top of that for you.

2nd Year Anniversary!

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The Southwest Collection’s blog, Tumblr, and Facebook have been around for a full 2 years now. Thousands of blog visitors later (not to mention 8,500 Tumblr followers! Thank you all!) we are still going strong. It’s an honor (and really, really fun) to share all sorts of oddities from our interesting collections. To celebrate this accomplishment (and to give us time to dig up more cool stuff…) for the next two weeks (June 8 through June 19) we’re going to be sharing one highlight per day from our last year of entertaining you. There’s some good stuff, from parakeet-powered cars to Texas Tech football victories, maps of Snake Country to the itinerant toy tractors that roam our archival stacks (and every other place they can devise that might annoy us.)

Mapa correspondiente al diario que formo Elp.F. Pedro Font del viage que hizo a Monterey y puerto de San Francisco... arizona 1878

Thanks for all your support! And don’t hesitate to click around through all our images weeks, months, and years to see if there’s something in there that enlightens you. Or, more likely, holds your interest long enough to look it over. That’s why we do this!

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The Sowell Natural History Conference at the Southwest Collection – 2015

1a.B.Lopez-Arctic DreamsThis April 16th through 18th, the Southwest Collection/Special Collections Library will host the Sowell Collection Conference. Created through the generous support of James Sowell, the Sowell Family Collection in Literature, Community, and the Natural World contains the personal papers of some of the country’s most prominent writers who are dedicated to documenting the ways in which we interact with our world and creating new ways of examining our world and our place within it. In 2001, the work of Rick Bass, William Kittredge, Barry Lopez, Bill McKibben, Doug Peacock, David Quammen, Pattiann Rogers, and Annick Smith comprised the core of this collection. Writers recently added include Susan Brind Morrow, John Lane, and Sandra Scofield. In addition to published books, materials available for research purposes include correspondence; drafts of manuscripts; research notebooks; diaries and calendars; and photographs, computer files, and film.

Barry Lopez, for example, is an essayist, author, and short story writer. The relationship between physical landscape and human culture lies at the core of his nonfiction work, while his fiction frequently addresses issues of intimacy, ethics, and identity. His books include Arctic Dreams, the cover of which can be seen above. It received the National Book Award, and another of Lopez’ works, Of Wolves and Men, was a National Book Award finalist. Lopez has received fellowships from the American Academy of Arts and Letters, the John Burroughs Society, the Orion Society, and other institutions. For All Seasons

Roland “Ro” Wauer is another prominent author well-documented in the Sowell Collection. An internationally acclaimed expert on the birds and butterflies of North America, Wauer is also a thirty-two year veteran of the National Park Service. As chief park naturalist for Big Bend National Park and chief of the Division of Natural Resources, National Park Service, he is the author of some two dozen books and two hundred articles. Ro writes on topics that reflect his distinguished career, with titles that include Birder’s Mexico, Butterflies of the Lower Rio Grande Valley, and Naturalist’s Big Bend. For All Seasons, seen above, chronicles a year of his life in Big Bend in an effort to share both the beauty of and his passion for that park.QuammenBook Cover-Kiwi EggDavid Quammen is known for writing concise and highly accessible articles on scientific topics. His book, The Song of the Dodo (Scribner, 1996), in which he investigates the rate of species extinction in island ecosystems, won the John Burroughs Medal for nature writing and several other awards. Quammen is a frequent contributor to Outside magazine and his work has also appeared in Harper’s, Esquire, and Rolling Stone. He has received a Lannan Foundation Fellowship as well as the National Magazine Award and the New York Public Library’s Helen Bernstein Award for Excellence in Journalism. The human drama and scientific basis of Darwin’s twenty-one-year delay constitute a fascinating, tangled tale that elucidates the character of a cautious naturalist who initiated an intellectual revolution. In The Kiwi’s Egg (above) Quammen uses the personal letters and notebooks of Charles Darwin to explore the biography of Darwin with a focus on the history of the scientist’s most famous theory.Rick Bass BroadsideRick Bass is a writer and environmental activist. He was born in Fort Worth, Texas, in 1958, but spent much of his youth in Houston. He graduated from Utah State with a degree in geology and then worked as a petroleum geologist in Mississippi. In 1987 Bass moved to Montana and began writing full-time. He is the author of numerous short stories, novels, memoirs and essays. Much of his work focuses on the reasoned benefits of preserving wilderness areas, such as the Roadless Yaak Valley of Montana. Our Rick Bass papers include almost all of his early work, as well as drafts of short stories and essays, correspondence and Yaak Valley Forest Council material, and over 100 letters from Rick Bass to James Linville, editor of the Paris Review.

–    Diane Warner, Librarian for the Sowell Collection

Texas Cowboys’ Christmas Ball!

cowboy xmas paul coverLast year, we told you about the Texas Cowboys’ Christmas Ball, a musical tradition held every December in Anson, Texas (in Jones County, roughly 25 miles northwest of Abilene). Because this year they’re celebrating the Ball’s 80th reenactment (and because we at the SWC enjoy it so much!), we’ve decided to tell y’all about it one more time. The event began at Anson’s Star Hotel in 1885 at a grand ball held in honor of the cattlemen of the region. William Lawrence “Larry” Chittenden attended that night and was so impressed by the festivities that he immortalized them in poetry. His “The Cowboys’ Christmas Ball” was first published in the Anson Texas Western in 1890 and subsequently in his Ranch Verses of 1893.that livelygaitedsworrayChittenden’s poem was dedicated “To the Ranchmen of Texas,” and paints a vivid picture of a holiday celebration. The hotel was “togged out gorgeous” and decorated with candles, mistletoe, and “shawls” (which many have interpreted as blankets placed at the windows to insulate the hotel better). Lead by “Windy Billy,” who sang and called the dances, the crowded Star Hotel saw a very “lively gaited sworray” that evening. Chittenden even describes the original instrumentation: bass viol, fiddle, guitar, and tambourine.Image 0003.B+WAnson, Texas would continue to see some Christmas celebrations similar to the ball held irregularly in the early 20th century, but it wasn’t until 1934 that the Texas Cowboys’ Christmas Ball was reborn when an Anson schoolteacher and local folklorist named Leonora Barrett helped stage the first re-enactment in the school’s gymnasium. Barrett insisted that the reincarnation of the ball retain the original dances, music, and customs of its predecessors, such as men removing their hats on the dance floor and women only allowed to wear skirts. Each year a newly-wed couple leads the ball’s opening grand march, one of eight dances that are traditionally performed there including the Paul Jones, the Virginia Reel, a polka, Schottische, two step, waltz, and ‘put your little foot.’pg002-3smallFrom the 1940s until the 1990s, few records exist of the ball. We know that it was a successful event based on newspaper articles, as well as the few surviving photographs, film reels, and one amazing ledger. The Southwest Collection is proud to house the original ledger (seen above,) started by Leonora Barrett in 1934 on the occasion of the first re-enactment. Each year she noted guests, hosts, broadcasts made by radio stations, the leaders of the grand march, and other pertinent details. The ledger was kept updated until 1994 and is one document that allows scholars to see the completely unbroken tradition.murphThe Cowboys’ Christmas Ball was reborn in a sense in the early 1990s, when Michael Martin Murphey began performing as its annual headliner. In 2010, Murphey began donating his materials to the Southwest Collection’s Crossroads Music Archive, as well as putting the archive in touch with the Ball’s organizers. That led to the recent publication of Texas Tech professor emeritus Paul Carlson’s book on the Ball, Dancin’ in Anson, the cover of which headlines this article.

Though the music has been electrified and grown beyond four instruments, and historical dress is not required, attending the ball is still a festive step back into an older tradition. Each year, the ball is held on the Thursday, Friday, and Saturday prior to Christmas. If you would like to attend this year’s event, you can do it on December 18th, 19th, and 20th. For information on tickets, times, and directions, visit the Texas Cowboys’ Christmas Ball website.

– Elissa Stroman & Robet Weaver

When the Matador Ranch Came to the Southwest Collection

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The Matador Ranch was established in 1879 by Alfred Britton, Henry Campbell, and their associates. It covered one and a half million acres in Motley, Cottle, Floyd, and Dickens counties of Texas. In 1882 the founders sold their cattle and range rights to a syndicate based in Dundee, Scotland. And it is there that the story of one of the Southwest Collection’s first and greatest collections begins.

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With rare exceptions, such as during periods of drought, Matador stockholders received substantial dividends. In 1951, however, they sold their shares to Lazard Brothers and Company. Many of the ranch records that were now no longer needed were quickly given into the care of the Southwest Collection. The Matador Land Book, pages of which can be seen above and below (and here!) was one such item. Another was a Payroll Ledger that names every cowboy in the employment of the ranch. These are only 2 among thousands of treasures that were donated.

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But one thing continued to plague Dr. Seymour V. Connor, the director of the SWC when the records arrived. Although many items of interest to researchers–such as the map of Matador lands provided to the Texas Pacific Railroad (below)–were now housed at Texas Tech, the remaining records remained in Dundee, Scotland, home of the ranch’s international administrators. As long as these documents lay overseas, they remained out of the hands of eager researchers. And so Dr. Connor set out to bring them back to Texas. Years of heartfelt, patient negotiations with past and present Matador investors and their families paid off in 1957 when, at long last, boxes full of Dundee records rejoined their brothers in our archive.

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Some at the time hailed the now-complete Matador Records as “one of the most valuable collections ever received by a college in Texas.” Its contents back up this assertion: reams of legal documents, payroll records, herd books, range diaries, and international correspondence can be found alongside mile-by-mile accounts of herds driven north. Detailed outlines of time-tested methods used by ranch superintendents to manage herds are also present. How much money would a top hand (or significantly lesser hands) receive in wages? The Records can tell you. They even noted the location of lands set aside for community projects, such as the Lee County School Lands shown below. As the news program “Texas in Review” declared, the Southwest Collection could now boast “a complete portrait of one of the most fascinating ranch stories in history.” We may be a little biased, but it’s hard not to agree!

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Folks interested in the Matador Ranch’s history should contact our Reference Staff who are always eager to help get these items into curious hands. Also, The Handbook of Texas has published more in-depth online biographies of the Matador Ranch and the Matador Land and Cattle Company.