Dirk West: Sports Cartoonist

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It’s time for a new exhibit at the Southwest Collection! This fall we’re sharing a tribute to Dirk West, a Texas Tech alum and famed sports cartoonist of the Southwest Athletic Conference (among many other accomplishments.) On the evening of Friday, October 14th, we’ll be hosting a reception celebrating the exhibit’s opening. Come on by and visit! Or at least check out some of the exhibit’s fabulous images below.

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Gerald Glynn “Dirk” West (October 23, 1928-July 26, 1996) was a businessman, television personality, and former mayor of the City of Lubbock, Texas. Shortly after his birth in Littlefield, Texas, Dirk’s family moved to Lubbock, Texas. There, while attending Lubbock High School, Dirk created “Westerner Willie” for the school’s Westerner World. Dirk’s widow, Mary Ruth West, recalls Dirk stating that this was also the beginning of his nom de plume. After graduating high school Dirk continued cartooning at Texas Tech University (TTU).

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At TTU, Dirk created an oafish character named “Smedley” (above) for the Toreador, the Texas Tech student newspaper. Mary Ruth believes “Smedley” served as the precursor to “Ol’ Red,” the grizzled version of Raider Red that decorates the image below. The figure graced the Toreador’s pages until Dirk’s graduation in 1954 with a degree in Advertising.

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Some years later Burle Pettit, sports editor of the Lubbock Avalanche Journal, asked Dirk to consider drawing a Southwest Athletic Conference (SWC) cartoon for the paper. And so it was that on September 24, 1964, the first SWC cartoon appeared therein. It featured Texas Tech Football Head Coach J. T. King and his men preparing for the arduous task of playing the defending National Football Champions, the Texas Longhorns. He would go on to develop the mascots of all the SWC schools into recognizable caricatures, such as UT’s Bevo, below.

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So come on by and check out our exhibit! And if you’d like to see more of Dirk West’s work, as well as his archival papers, don’t hesitate to get ahold of our Reference Staff. They’re always ready to help you out however they can. We also hold the records of the Southwest Conference, the Big XII Conference, and a host of other sports organizations. They too are available to interested researchers.

“Celebrating the National Parks: The Photography by Ro Wauer” – An Exhibit at the Southwest Collection/Special Collections Library

Alaska Katmai-18x14Katmai National Park, Alaska

“The national parks of the United States possess the best examples of the continent’s natural heritage, complete with the grandest scenery and most stable plant and animal communities still in existence. North America’s national parks represent a microcosm of our last remaining wildlands.” – Roland Wauer

In 2016 the National Park Service (NPS) will be celebrating 100 years of preserving the wild places of the United States. To commemorate that at the Southwest Collection, we are installing an exhibit entitled “Celebrating the National Parks: The Photography of Ro Wauer.” It consists primarily of photographs taken by Roland “Ro” Wauer, a thirty-two year veteran of the NPS. The exhibit runs from mid-January until mid-summer, and if you’re of a mind to do so, also take a look at his extensive library, manuscript collection, and photographs reside at the Southwest Collection/Special Collections Library.

My Wild Life

Wauer had a varied career. He began his NPS stint as a seasonal ranger, ultimately leading him to serve at eight national parks, the NPS regional office in Santa Fe, New Mexico, and finally as Chief of the Division of Natural Resources in Washington, D.C. Until his retirement in 1989 (and, of course, for years afterward) he saw a little bit of everything that nature had to offer. He visited California and Alaska, traveled south into Mexico, and even journeyed to farther locations such as the Virgin Islands and other U.S. affiliates. One of his passions was the study of birds and butterflies, leading to a large portion of his twenty-five books and 200 articles on those subjects (and several others.) His autobiography, “My Wild Life,” formed the core of the content in this exhibit.

Big Bend Bear-14x18Black bear at Sam Nail Ranch, Big Bend National Park, Texas

“My Wild Life” is an interesting read; a trek through many of the parks in which he worked, and the extensive time he spent observing and interacting with the birds and animals therein. Although he is more modest about his accomplishments, there is no question that his study of bird populations and their habitats was significant and widely recognized. Similar acclaim could be accorded to his studies, often through large research projects, of mammals, reptiles, amphibians, fish, and a host of other species. Seriously, he details encounters with bighorn sheep and large falcons; poisonous snakes and mountain lions; and of course, owls, swallows, and, honestly, an Audobon guide’s worth of birds.

Badlands-18x14Badlands National Park, South Dakota

So if you want to see some more of these excellent photos of the flora, fauna, and grandeur of the United States’ national parks, stop on by this spring or summer and take a look at our exhibit. And of course, if you’d like to peruse the papers of Ro Wauer, our Reference Staff is always happy to arrange that for you.

The Southwest Collection’s 2015 Highlights

2015 is coming to a close, and the SWC is looking back at some of its favorite images of the past year. (Also, because no one is in the archive for the holidays, we shamefully admit to the necessity having to recycle content!) So here they are – the best of 2015!

The year is wrapping up, and so we bring the SWC’s favorite images from 2015!Back in July we noted that archives have nigh innumerable boxes. But when the Ag Movement tractors and I asked our Registrar to come up with a box-related joke, he replied “If they wanted us to use good grammar they should have made it more easier.”He stands by that statement to this day.

For example, back in July we noted that archives have nigh innumerable boxes. But when the Ag Movement tractors and I asked our Registrar to come up with a box-related joke, he replied “If they wanted us to use good grammar they should have made it more easier.” He stands by that statement to this day.

Less silly but equally entertaining is this footage of our Earth as seen through the first color satellite footage ever taken from space! Well, the footage of the earth is real. As a savvy user pointed out, however, the background and its immobile stars probably aren’t…

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Every other Wednesday around here is dubbed “Western,” y’all, but sometimes we eschew the rodeos, cowboys, and ranching for a classic Ford Fairlane station wagon.

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In January, we installed an exhibit on Texas Tech’s Dairy Barn, a 90-year-old symbol of the campus, still preserved today just yards away from the Southwest Collection. Here’s a photograph of it today, surrounded by our crowded campus, and then, surrounded by…pretty much nothing!

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While every other Wednesday is “Western Wednesday” around here, all the remaining Wednesdays are “Map Day!” One of our most popular maps this year was, curiously, this 1988 map of historic homes and buildings in Lubbock, Texas, produced by the Lubbock Heritage Society and some of their partners.

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We see many bizarre advertisements in our newspaper collections, but few are like the one we found in the spring of 1974: an obsession with streaking in Texas Tech University’s University Daily. No one knows how it started. Some say that streaking had been popular on campus for years already. Others claim that Ray Stevens’ hit, “The Streak,” which debuted in March 1974, was responsible. All we know for sure is that by the time the campus got good and warm, t-shirts featuring the logo above were widely available.

3.l-54.80 female and baby in rebozo beside removable plank door- near village of Wawatzerare

Finally, we have an image from one of our favorite blogs this year. It described our photograph collection of the Tarahumara, a people of the Sierra Madre Mountains of Chihuahua, Mexico, who’ve weathered centuries of attention by Spanish, French, and Mexican governments. They still hold on to many of their original cultural traditions. In the village of Wawatzerare, for example, this woman still carries her baby in a rebozo. This shot was snagged by Father Luis Verplancken, a Jesuit who served in Chihuahua for decades, and who created all of these photographs.

So there you have it: a taste of our favorite images of the year. Keep an eye out for next year’s stuff. It’s bound to be as good (or even better!)

Another Year, Another Cowboys’ Christmas Ball!

It’s that time of year: the ol’ holiday season, and that means that folks from the Southwest Collection will be headed south to Anson, Texas, for the annual Texas Cowboys’ Christmas Ball. Down in Jones County, roughly 25 miles northwest of Abilene, the event has been held almost-annually since the first grand ball thrown at Anson’s Star Hotel in 1885. That night, attendee William Lawrence “Larry” Chittenden was inspired to compose his poem, “The Cowboys’ Christmas Ball,” promptly published in Anson’s Texas Western and, subsequently, in Chittenden’s Ranch Verses of 1893. “Born in the idle hours on a Texas ranch” where he lived for almost two decades seven miles outside of Anson, the poem is still a hallmark of the event today.

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The poem was dedicated “To the Ranchmen of Texas.” It captures the spirit of the occasion, with its “togged out gorgeous” hotel festooned with candles, mistletoe, and “shawls” (which many have interpreted as blankets placed at the windows to insulate the hotel better). Lead by “Windy Billy,” who sang and called the dances, the crowded Star Hotel saw a very “lively gaited sworray” that evening in 1885. Chittenden even describes the original instrumentation: bass viol, fiddle, guitar, and tambourine.

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Though the hotel would be lost to a fire in 1890, Chittenden’s poem immortalized the spirit of a cowboy Christmas celebration for generations to come. Many folklorists reprinted his words through the years (including John Lomax first in his Cowboy Songs and Other Frontier Ballads in 1910. Lomax eventually attended the Ball in 1939). Even to this day we see the Chittenden’s poem in pop culture. Anson, Texas, would see some Christmas celebrations similar to the ball held irregularly in the early 20th century, but it wasn’t until 1934 that the Texas Cowboys’ Christmas Ball was reborn.

In 1934 an Anson schoolteacher and local folklorist named Leonora Barrett helped stage the first re-enactment of the 1885 ball. People from Anson and surrounding communities gathered in the school gymnasium for the event. Barrett insisted that the reincarnation of the ball retained the original dances, music, and customs of the first ball. This tradition, which includes men removing their hats on the dance floor and women only allowed to wear skirts, is kept to the present day.

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Barrett, along with Hybernia Grace (another local historian), meticulously researched the conditions surrounding the original ball and worked diligently to preserve as much local history as possible. For example, suggested by Mrs. Ophelia Keen nee Rhodes, whose father owned the Star Hotel in the 1880s, wrote a letter to Barrett that was then published in the Anson newspaper Western Enterprise of December 19, 1935. In it, Keen remembers wedding at an early Ball. As a result, each a newly-wed couple leads the Ball’s opening grand march. Several other dances follow, including the Paul Jones, the Virginia Reel, a polka, Schottische, two step, waltz, and ‘put your little foot’.

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Soon after its rebirth, the Ball began to gain attention. It was part 1936’s Texas Centennial. In 1938 Anson residents danced on the lawn of the White House during the National Folk Festival. Soon after, it expanded from one night to three, including a parade of historic vehicles (although that tradition has since passed.) Because of the Ball’s continued success, Barrett helped to copyright the reenactment and created a board of directors, who are now known as the Texas Cowboys’ Christmas Ball Association. Pioneer Hall, its current residence, was built in 1940 and was designated a historic site (and the Ball a historic event) by the Texas Historical Commission in 2010.

From the 1940s up until the 1990s, few records exist of the ball. We know it was a successful event based on newspaper articles, as well as the few surviving photographs, film reels, and one amazing ledger housed at the Southwest Collection. Started by Leonora Barrett in 1934 on the occasion of the first re-enactment, the ledger details yearly guests, hosts, radio broadcasts, leaders of the grand march, and a myriad of other facts. The Ball kept the ledger updated until 1994, ensuring that future scholars can appreciate this unbroken tradition.

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The Cowboys’ Christmas Ball was reborn in a sense in the early 1990s when Michael Martin Murphey began performing in Anson as the annual headliner. In 2010 Murphey began donating his materials to the Southwest Collection’s Crossroads Music Archive. At this time he also put the archive in touch with the Ball’s organizers. As a result, in 2014 Texas Tech professor emeritus Paul Carlson published Dancin’ in Anson, a definitive account of the Ball’s rich history.

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Though the music has been electrified and grown beyond four instruments, and historical dress is not required, attending the ball is still a festive step back into an older tradition. Each year, the ball is held on the Thursday, Friday, and Saturday prior to Christmas. This year’s ball will be held December 17th, 18th, and 19th. Michael Martin Murphey will be performing on the first evening. For information on tickets, times, and directions, visit the Texas Cowboys’ Christmas Ball website.

by Elissa Stroman

The American Agriculture Movement: Part 2

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Last year, the Southwest Collection shared our American Agricultural Movement (AAM) Records in an exhibit entitled Tractorcade! commemorating the 35th anniversary of the AAM’s last great Tractorcade in 1979. It featured oral histories, photographs, newspaper articles, and artifacts that allowed our curators to tell this unique story of authentic U.S. grassroots activism.

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We told you back then about the AAM’s formation in Campo, Colorado, in 1977, and its focus on “Parity”—economic balance between agriculture, other industries, and the U.S. government. It organized farmer’s strikes throughout the U.S., using pamphlets such as the one above to get them going. And it worked: in 1977 around 5,000 farmers held a tractor rally in Lincoln, Nebraska. Farmers in other states soon followed with their own rallies.

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Unfortunately, the AAM’s activism sometimes led to violence. On March 1st, 1978, a large group of protesting farmers was trapped on the International Bridge south of McAllen, Texas. U.S. police and Mexican Federal troops tear-gassed and beat some of the protestors, later arresting and jailing 200 of them. But this wasn’t typically the case. At almost the same time, numerous farmers found themselves peacefully gathering in Washington, D.C., in opposition to the 1977 Farm Bill. All of these events and many others were chronicled in local publications such as the American Agricultural News, of which we have dozens of issues. The above article and poems are examples of such, written by supporters–but not necessarily protest participants–from Oklahoma and Kansas, not just Texas or the AAM’s birth-state, Colorado.

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Combinations of strikes, protests, and legal opposition would later lead to massive Tractorcades in 1978 and 79. January of the former saw around 3,000 farmers driving their tractors to Washington, D.C. 1979 proved even more successful on a second trip to D.C., although traffic across the nation found itself stuck behind slow moving tractors festooned with protest signs. Washington was practically shut down as they drove through the city, and when at last they stopped at the National Mall, the police quickly penned them in with squad cars and city dump trucks. Surprisingly, there were only a few scuffles between farmers and police. Most interactions were friendly, although national public opinion was split on the farmer’s stated issues. But the Tractorcade can, in some part, be summed up by their emotional visit to the Lincoln Memorial documented in the photo above. It was a peaceful affair, generating unity within the AAM and fond memories for all of the participants that they’ve shared with SWC staff during every visit.

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There are many other tales of the Tractorcade and the AAM available at the Southwest Collection, many found in oral histories of participants and opposition members alike. They explain to interested researchers how the AAM metamorphosed into the guardian of farmers and lobby-er of politicians that it is today. These materials, and the many newspapers, documents, and artifacts in the AAM collection, are always available for research. And our helpful Reference Staff shows up when the rooster crows every day to make sure they can help you find them.

The Tarahumara Photograph Collection

3.l-54.80 female and baby in rebozo beside removable plank door- near village of Wawatzerare

The Tarahumara are a people who live in the Sierra Madre Mountains of Chihuahua, Mexico. Despite centuries of incessant attention by Spanish, French, and Mexican governments, they still hold on to many of their original cultural traditions. Basket weaving and maize cultivation, along with pastoral practices, for example, hearken back to their original ways.Their cave dwellings, some decorated with pictographs such as the ones below, attract the occasional anthropologist and tourist. The Tarahumara also happen to be some of the most excellent long-distance runners in the world. In short, they’re fascinating and the Southwest Collection is fortunate to have thousands of photographs of the Tarahumara–such as the one above of a woman near the village of Wawatzerare, holding her baby in a rebozo–captured by a local priest, Father Luis Verplancken, who worked closely with the Tarahumara for decades. And, as we often do, we intend to show them off right here!

14.d.2-07.48 Tarahumara pictographs- near village of Cusarare

(Tarahumara pictographs near the village of Cusarare.)

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Although their current population now numbers in the scant tens of thousands, the Tarahumara (or Rarámuri, their traditional name, i.e. the one not given to them by the Spanish) numbered many more throughout Chihuahua in the 16th century. The arrival of the Spanish began to change this, as their interest in mining speckled the Sierras with mines, prompting the Tarahumara to move to more remote, mountainous areas. Sadly, they also enslaved some Tarahumara in order to obtain mine labor. This, in between sometimes-successful proselytizing by Christian missionaries over the next several decades, led to armed conflict in the 1670s and 90s; encounters that the Tarahumara ultimately lost. A side effect of this cultural clash was the creation of beautiful missions such as the one above, Batopilas. It was established by conquistadors in 1632, for religious (but mostly mining) purposes, and remains a well-preserved example of that architecture to this day.

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(Cave dwelling with a family preparing corn tortillas over a fire near the village of Basiwari.)

As we mentioned, these photos were taken by Father Luis Verplancken, but he was far more than just a photographer interested in documenting Tarahumara culture. Born in 1926 in Guadalajara, Mexico, Verplancken became a Jesuit missionary in 1943. A few years later he was assigned to Creel, Chihuahua, where he immediately devoted his life to aiding its residents. He arranged to have water piped into area towns, oversaw the digging of more than 50 wells, and even partnered with the nearby community of Arareko to create an artificial lake that remains a popular tourist destination to this day.

13.e.5-57.18 young males in contemporary attire in their dorm rooms at a boarding school- village of Gonogochi

(The boarding school at Gonogochi.)

Such infrastructure was perhaps the hallmark of his career. He also installed electricity wherever he could, and opened a medical clinic that saved hundreds of childrens’ lives every year. Along with this, he trained locals to provide medical aid at locations far from the clinic. Education was another focus, resulting in the founding of two boarding schools that taught in both the local dialect and Spanish, a photo from which can be seen above.He translated the Bible into Raramuri, built a museum dedicated to sacred art (both native and Christian,) and made a host of other contributions. And all the while he documented Tarahumara daily life in pictures, from ritual and religion to simple tasks such as basketweaving; from herding and farming to trap setting, as in the photo below.

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(Setting a trap near the village of Basiwari.)

A selection of photographs from this collection of nearly 25,000 are available among our digital collections. Of course, if you’d like to see any of the others, our Reference Staff is always happy to get them into your hands.

2nd Year Anniversary!

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The Southwest Collection’s blog, Tumblr, and Facebook have been around for a full 2 years now. Thousands of blog visitors later (not to mention 8,500 Tumblr followers! Thank you all!) we are still going strong. It’s an honor (and really, really fun) to share all sorts of oddities from our interesting collections. To celebrate this accomplishment (and to give us time to dig up more cool stuff…) for the next two weeks (June 8 through June 19) we’re going to be sharing one highlight per day from our last year of entertaining you. There’s some good stuff, from parakeet-powered cars to Texas Tech football victories, maps of Snake Country to the itinerant toy tractors that roam our archival stacks (and every other place they can devise that might annoy us.)

Mapa correspondiente al diario que formo Elp.F. Pedro Font del viage que hizo a Monterey y puerto de San Francisco... arizona 1878

Thanks for all your support! And don’t hesitate to click around through all our images weeks, months, and years to see if there’s something in there that enlightens you. Or, more likely, holds your interest long enough to look it over. That’s why we do this!

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You Never Know What You’ll Find…

2AFL1388Each of the thousands of collections housed at the SWC contains its share of unique material, but some are so bizarrely diverse that they deserve a closer look. Take for example the recently-processed Earnest Langley Papers. Earnest Lee Langley, Jr., was born in 1920, which set him up not only to attend Texas Technological College during the 1930s, but also to enlist in the Army following the United States’ entry into World War II. After the war, Earnest graduated from the University of Texas School of Law and subsequently built a prominent West Texas law career. As a result, we have stacks of day books and appoint books, legal documents, and correspondence related to his law practice. But we also have an alarmingly sharp World War II era bayonet!

Depicted in the photo above, this item was found among boxes full of more mundane material. Needless to say, we were surprised (and inordinately excited) to discover it. The blade has since been inventoried among the many other artifacts in his collection…many of which seem equally out of place. langley campfire001For example, several boxes were full of Campfire Girls booklets, pamphlets, uniforms, and t-shirts. Most prominent among the items was this charter incorporating the Hereford Council of Campfire Girls. What did all this have to do with Ernest Langley? Had we confused this with another collection (note: we have never done that.) It was time for research! It turned out that after Langley moved to Hereford, Texas, his wife became an active supporter and leader of the Camp Fire Girls and was integral to their presence in that region. Mystery solved.langley stamps002

In retrospect, maybe the Campfire Girls items weren’t really that odd, but the three linear feet of stamps that we found produced a lot of head-scratching. There were thousands upon thousands of stamps, some loose, some attached, and some cut off of envelopes. In a typical collection you might find evidence of a hobby or two that a person enjoyed, but three boxes packed full of postage is pretty rare. Earnest Langley: philologist!2AFL1393

Finally, we found a simple and unadorned jewelry box. Its piles of lapel pins, most of them Army rank insignias, jived with what we knew about him. Some pins were difficult to identify…until we pulled out the Shriner’s fez (not pictured, sadly) that had been tucked below the jewelry box. A quick survey of his other materials unearthed a box full of papers about his membership in the Masons! Masonic materials are always fascinating, and would probably make for some good reading for interested researchers. Also, the fez is cool (although nobody tried it on, we promise.)

So, after sorting this stuff out, we now knew that Earnest Lee Langley, Jr.: stashed weaponry; helped establish some Panhandle Campfire Girls; loved stamps; and spent his free time practicing Freemasonry. Not pictured are the awards he received from over a dozen state and national law organizations, documentation of his efforts to found a local Methodist Church, and scrapbooks full of wine labels. Oh, and according to a plaque we found, he was also Hereford Citizen of the Year in 1969.

The Earnest Langley Papers were a fun one with which to work. There are other eccentric collections in our stacks as well, and if you’re interested in tracking some down then don’t hesitate to contact our Reference Department.

Odis “Pop” Echols – An Exhibit at the Southwest Collection

Odis Echols and his Melody Ranch Boys KWKH Car

This April the Crossroads Music Archive at the Southwest Collection/Special Collections Library is excited to debut their exhibit, “Odis ‘Pop’ Echols.” It highlights the life of the titular Echols, whose influence on music in the United States was tremendous.

Echols Brothers Trio

Odis Echols, known as “Pop,” was born May 7, 1903 in Enloe, Texas. In 1922 he moved near Clovis, New Mexico, with his bride Grace Traweek. There he taught shape-note singing, formed the Echols Brothers Trio, and joined The Plateau Quartet. In 1926 he won a spot with Frank Stamps’ original Stamps Quartet, which traveled the South singing gospel and popular music of the day (while selling Stamps-Baxter songbooks…) Echols often got standing ovations for his baritone rendition of “ol’ Man River.” In 1927 the group recorded for Ralph Peer of Victor Records and their “Give the World a Smile” became the first gospel record to sell one million copies! Echols formed his own quartet and opened a songbook store in Lubbock, Texas, organizing singing schools at churches across West Texas all the while.

Odis and Stamps Record Cover

Soon Echols had moved his Stamps Melody Boys to CBS affiliate WHAS in Louisville, Kentucky, where he convinced Mutual Radio Network to broadcast the first coast-to-coast gospel music show. In the meantime he built Hartford Publishing into the second-largest gospel publisher, sold his interest in the company, and moved to Shreveport, Texas, where his Melody Boys sang on KWKH’s Red River Valley Roundup, the forerunner of the Louisiana Hayride.

KCLV Building ADJ

He moved back to Lubbock, where he worked as a radio announcer at KSEL and mentored entertainers including saxophonist Bobby Keys and vocalist Charlene Hancock. Never one to stop pushing forward, Pop then purchased station KCLV in Clovis in 1953, and settled there.

Empire Room McGuire Sisters

In 1957 Pop appeared on national television’s This is Your Life at the request of teen idol Tommy Sands, who credited Pop with starting him in show business. But his biggest success came a year later when he met Charlie Phillips and collaborated on the song “Sugartime.” You know the song: “sugar in the mornin’ / sugar in the evenin’ / sugar at suppertime.” (Enjoy the earworm!) Released with McGuire Sisters’ vocals, in 1958 “Sugartime” went gold and reached Number One on the pop charts. Pop Echols continued to work in the music business until his death on March 23, 1974.

While the exhibit is only up from early April until the early fall, Echols’ Papers are forever available for research at the Crossroads Music Archive here at the SWC! Contact our ever-helpful Reference Staff if you’d like to take a peek at them.

– Curtis Peoples, Associate Archivist, Crossroads Music Archive

Women Who Shaped Texas Tech: 2015 Edition!

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Last March we told you about our Women’s History Month exhibit, “The Women Who Shaped Texas Tech,” celebrating several women whose influence on Texas Tech University is still felt today. The exhibit has received several new additions for 2015 who we’d like to share with you!

The first of this year’s celebrated women is Lucille Graves (above.) 40 years ago she sat down with one of our oral historians for an oral history interview to share her story as the first African American student at Texas Technological College (now Texas Tech University.) Having already received her bachelor’s degree in 1961, Graves tried to attend Texas Tech to receive her masters. Yet she was repeatedly refused entrance on the grounds that its charter stipulated that the university was established for white students only. With the help of the NAACP, she confronted the university and was at last admitted after a phone call from Texas Tech President R. C. Goodwin himself. Soon Tech saw a peaceful, non-violent integration of the traditionally white college. Graves was also the founder of Mary and Mac, the first black private school in Lubbock, Texas, in 1955. She chose the name of her school after the children’s nursery rhyme on the reasoning that “This poem depicts the act of boys and girls in their desire to become useful in this society.”

FayeBumpass-ADJ Faye Bumpass is also featured in the exhibit. She received her bachelor’s (1932) and master’s (1934) from Texas Technological College, then went on to teach Latin and Spanish in Texas high schools until 1941, serve as a visiting instructor in Spanish during the summer at Texas Tech, travel to Latin America to teach Latin and English as a second language (primarily in Lima Peru,) and acquire a Doctor of Letters (1948) from San Marcos University. Returning to Texas Tech in 1957, she became an assistant professor in both English and Foreign Languages, wrote several textbooks on bilingual education, and testified before Congress in May 1967 about bilingual education. In 1969, she became one of two women to acquire the Horn Professorship, TTU’s highest faculty rank and one previously held only by male professors.mary jeanne van appledorn2

Another Shaper of Texas Tech, Mary Jeanne van Appledorn, studied both piano and theory at the University of Rochester’s prestigious Eastman School of Music in Rochester, New York, where each year she was awarded the George Eastman Honorary Scholarship, and in 1948 received her Bachelor of Music with Distinction in piano. She subsequently received her Master of Music Degree (Theory) from Eastman in 1950 and accepted a position at Texas Technological College that fall. She earned a Ph.D. (music) from Eastman in 1966 while teaching at Tech courses ranging from undergraduate music theory to graduate composition courses. Her list of chairmanships, composition commissions, and other honors are too many to list here. Suffice to say that in 1989 she received TTU’s prestigious Horn Professorship. Dr. van Appledorn held the distinction of being one of the longest serving faculty members at Tech (58 years!), and her papers are held in our University Archives.mina wolf lamb1Mina Marie Wolf attended the newly established Texas Technological College where she received her B.A. in chemistry in 1932. While in graduate school at the University of Texas, she was discouraged from pursuing a career as a chemist by a faculty member due to the difficulty of finding jobs in that field for a female. So she returned to Texas Tech in 1935 to get her M.S. in Foods and Nutrition, and, after a brief stint away from Lubbock, she returned to TTU in 1940 to serve as associate professor in the foods and nutrition department of Home Economics, picking up her Ph.D. in Nutrition and chemistry from Columbia University (1942) along the way. Mina married Arch Lamb in 1941, and together the couple left a lasting impression on Texas Tech through their support for the college and its students. Dr. Lamb was a member of numerous professional and local campus organizations, taught Red Cross nutrition and canteen courses during World War II, and also served on the Lubbock Food Ration Board. TTU honored her as a Piper Professor for her teaching and work with undergraduate students, and just before her retirement she donated $10,000 towards a new laboratory for assessment of nutritional status in humans. Yet in an interview in 1990, she stated that her proudest accomplishment was establishing the federally funded Women, Infants and Children (WIC) supplemental food program at the Lubbock Children’s Health Clinic where she had volunteered for 18 years.OpheliaMalone1964

Ophelia Powell-Malone is our final Woman Who Shaped Texas Tech. She holds a unique place in Texas Tech history as the first African American to graduate with a bachelor’s degree. After transferring from Huston-Tillotson University in Austin, Texas, to attend Texas Tech shortly after the college integrated, she became a home economics major. Receiving her degree in 1964, Malone went on to become a teacher in New Mexico, then a dietitian at Langston University and at nursing homes in Lubbock and Houston. Mentor Tech chose Powell-Malone as one of two trailblazing individuals to honor in the naming of their program, which was established in 2002.

If you’re curious about the archival collections of these women, or of those honored last year, why don’t you give our helpful Reference Staff a call? They’d be happy to help you out!

by B. Lynn Whitfield, University Archivist