Preserving the Past: Celebrating 20 Years in our New Home

Building Plans 11x17

20 years ago, the Southwest Collection moved out of the depths of the Texas Tech University Math Building and into its current palatial home at 15th and Detroit. From September 2017 through February 2018, we’re exhibiting photographs and artifacts from that journey in an exhibit entitled “Preserving our Past: Celebrating 20 Years in Our New Home.” It also chronicles the many exhibits created over those decades that showcased the many amazing archival treasures housed here.

It all started with the architectural plans above. Drafted in 1994, they were the first step taken toward building our state-of-the art facility.

BeforeBldgRemoved

The rapidly deteriorating TTU Speech Building occupied some of the space where the SWC now stands. Although the Agricultural Pavilion remains, the Speech building’s foundations were transformed into one-part exterior flower bed, and one-part eastern SWC Rotunda.

groundbreaking

The photo above documents the 1995 groundbreaking. SWC Director David Murrah, as well as the TTU President, members of the Board of Regents, and other luminaries attended the event. By late ’95 and early ’96, the land had been scraped clean. By the summer 1996, the skeleton of the building had risen over the site, as you can see below.

underconstruction

swc ribbon cutting-adj

This final photo is of the ribbon cutting that officially opened the Southwest Collection/Special Collections Library in 1997. Director Bill Tydeman, long-time archivist Janet Neugebauer, and TTU’s President, Chancellor, and other officials all took a swipe at the ribbon with ceremonial scissors. Directly behind the bow stands Frances Holden, whose husband William C. Holden was a professor at TTU for many decades. Our Reading Room, where the ribbon cutting took place, is named after her and her husband.

So, y’all, drop on by and check out our exhibit, please! There are many other excellent photos to look over, including some of moving day, when thousands of boxes were laboriously transported to the new building to be housed in perpetuity.

Advertisements

The Papers of Captain Robert G. Carter: Frontier Soldier

4pageDescriptionbyGuy

The Southwest Collection is located on the Llano Estacado, also known as the South Plains. Folks have been visiting the region for more than a century in a half, which in those early years resulted in no small amount of conflict. One, the Battle of Blanco Canyon near the Brazos River in 1871, occurred between U.S. Soldiers and a Comanche raiding party. A survivor of that conflict, Captain Robert G. Carter, was awarded a Medal of Honor for his conduct in the fight. The Southwest Collection is fortunate to have his correspondence and related materials dating from the years after the fight, and we’re going to share some of it with you in this very blog!

The image at the top of this post is of a letter from Carter’s extensive correspondence with fellow veterans of the “Indian Wars.” Carter had served under Ranald Mackenzie both in that conflict and later along the Mexican border at the end of the 19th century. So, too, did this letter’s recipient, Col. R. P. Smyth. In this letter, Carter regales Smyth with some of the facts. Sadly, we do not have Smyth’s original or subsequent letters.

jevettsHaley

Carter became well-known through his published memoirs, such as On the Border with Mackenzie (1935). He also sold maps of the conflict, such as the one referenced by renowned Texas historian J. Evetts Haley in the letter above. In another collection, we even have a copy of the map, which you can see below.

3 - Main frame

 

clippingHeadofIndianWars

History was Carter’s passion, and he promoted it not only through his publications, but also through participation in various organizations dedicated to preserving it. The 1932 newspaper clipping above (culled from a newspaper we unfortunately haven’t been able to identify) celebrating his elevation to commander of the Order of Indian Wars, an organization serving veterans of that conflict.

angryatBank

And yet some of his papers are banal. Here we have a dispute with a bank over miscalculated interest. It rings as true then as it does for some of us today. In fact, Carter’s papers contain at least 14 pages of his back and forth with the Union Trust Company, full of pithy responses to their incorrect claims: “According to the mathematics taught me, two items of the same amount, one subtracted from the other, leaves 0.” Carter, telling it like it is!

The Robert G. Carter Papers comprise only a single archival box, but are packed with unique material like this, documenting Carter’s recollections of service, as well as his day-to-day life in the years following. They’re available in their entirety among our digital collections, and we’d love for any interested researchers (or the generally curious) to take a look through them.

The Diaries of William DeLoach, A West Texas Farmer

1IntroLedger1

“Years are the milestones that tell us the distance we have traveled…” These words, the first to appear in the diaries of William G. DeLoach (http://www.lib.utexas.edu/taro/ttusw/00161/tsw-00161.html), were not a platitude. DeLoach noted daily events in his diary from 1914 to 1964, often documenting the mundane life of a West Texas farmer, but at times exploring the emotional and philosophical depth of a man whose daily accounts spanned two World Wars, the Great Depression, and the assassination of John F. Kennedy.

2DiaryPage10-1stwriting

This is the first full page of his diary, written Wednesday, March 24th, 1914. It is a simple series of notes. He visited Ralls and Crosbyton, Texas, signed a cotton contract, and saw one of his laborers complete the maize harvest. Such entries comprise the bulk of his notes.

3Diary5pg77BlackTuesday

This page includes October 29th, 1929, also known as Black Tuesday, when the stock market crashed and the Great Depression began. Yet the crash’s effect took its time crossing the country, so all he described that day was cutting feed until a rain began that lasted well into the night.

6NoHeartLedger7

The Depression, and more importantly the Dust Bowl, haunt the background of his diaries, but DeLoach coloring his stories of day-to-day life. On July 23rd, 1937, however, its effects came to the fore. “I hurt all day. Not with much heart. I can’t do any thing with any heart with such surroundings. I even can’t write any more. My (?) are all shot. Just to be the paying teller and nothing more is bad.” But then, as always: “Bill finished the feed plowing.”

5ArmLostledger7

Some entries are punctuated by tragic or amusing local news. Early November 1937 saw a man lose an arm in a cotton gin: “That is bad…. They take too many chances.” The next day, DeLoach heard about an acquaintance who was “pinched for drunk.” He mused, “Too bad to get sauced in Sudan [Texas] if one is a stranger. Homeguard can.”

8FinalPageLedger12

“This is March 28th, 1964. My first entry was made on March 28th, 1914.” Infirm “in more ways than one,” William DeLoach set down his pen. “Goodbye, Diary. You have been lots of help in lots of ways.”

(An abbreviated version of the diaries was edited by Janet M. Neugebauer, former archivist at the Southwest Collection, and published as Plains Farmer: The Diary of William G. DeLoach, 1914-1964.)

The Twelve Days of Raiderland: A TTU Holiday Ornaments Exhibit at the SWC

masked-rider-final

It seems like we never run short of new exhibits here at the Southwest Collection! In November and December, our University Archives is displaying yet another wonderful collection of artifacts for our visitors to look over. This time it’s a roster of Texas Tech’s annual holiday ornaments. Designed around various locations, events, and symbols of the University, the ornaments are available every year. Twelve ornaments grace the exhibit, and here are some of the best.

The first is, of course, an ornament of one of Texas Tech’s mascots, the Masked Rider (above) distributed in 2000. The holiday season is football season, so, really, they belong together.

bell-tower-final

This 1997 ornament depicts TTU’s iconic bell tower, known to ring out from time to time during the holiday season. And that, folks, is how you make a pun.

tt-final

This ornament, fashioned in 1998, depicts Tech’s ubiquitous Double T symbol. The accompanying photo (one of this author’s favorites) is the Double T Bench, donated as the 1931 senior class gift. It resides on the south side of the Administration Building.

caroloflightsfinal

In 2016 TTU’s Carol of Lights will celebrate its 58th year. While this photo of the event in 1960 is beautiful, today the Carol is a sight to see. Over 25,000 LED lights adorn the 18 buildings surrounding Memorial Circle, the Science Quad, the Engineering Key, and the Broadway Entrance to campus.

usafinal

The United Spirit Arena was one of the priority fundraising endeavors conducted under Texas Tech’s first Chancellor, John T. Montford. It officially opened in the fall of 1999. This ornament was created in its honor that same year. Fun fact: the first concert held there was by Elton John on February 8th, 2000. In 2010 Elton John returned to the arena for a second show.

75yearfinal

This ornament (and this homecoming parade float) celebrated TTU’s 75th year. The college was established in 1923 by Texas Senate Bill No. 103, which is often referred to as “the school charter.”

songbook-final

2003’s ornament celebrates the Matador song. Written in 1930 by R. C. Marshall with musical score by Band Director Harry LeMaire, it is sung at the end of every graduation ceremony at Texas Tech.

seal-final

The Texas Tech Seal was designed in 1924 by architect William Ward Watkin, and now a 12-foot red granite seal anchors the Broadway Entrance to campus in the Amon G. Carter Plaza. 2004’s ornament celebrated the seal.

There are but eight of the ornaments in the exhibits. Feel free to come check out the others, or any of our many other exhibitions!

 

Fall into Diversity: An Exhibit of our University Archives

fall-into-diversity-stella-courtney

This fall, our University Archives has created “Fall into Diversity: My Story,” an exhibit showcasing individuals involved with Texas Tech University whose stories were chronicled among our many, many oral histories. In their words:

“Everyone has a story to share, a perspective that helps better round out the history of a person, place or thing. For 60 years, the Southwest Collection/Special Collections Library has conducted oral history interviews as a way of preserving people’s memories and views on a vast variety of subjects. ‘Oral history is both the oldest type of historical inquiry, predating the written word, and one of the most modern, initiated with tape recorders in the 1940s and now using 21st-century digital technologies,’ states the Oral History Association. As of 2016, the Southwest Collection has conducted over 6,500 interviews, recorded through a number of methods as technology has evolved. Many of these interviews feature Texas Tech-related faculty and alumni. This exhibit showcases a small sampling of the diverse interviews done over the past two decades.”

 

Stella Ruth Courtney Crockett (pictured above) was born on October 4, 1943, in Lubbock, Texas, and attended Dunbar High School. In the summer of 1961, after learning that Texas Tech would integrate, she was among a very small group of African Americans who decided to attend. Despite being accepted into the Texas Tech marching band, Stella found it a difficult task to be among the first to break a long-held barrier. For example, she enrolled in another section of a class because the first instructor used disparaging language toward her. Support from her family, church, and community helped her stay on course and she pointed to her mother’s encouraging words of “sticking it out” as a motivator. “It’s my right to be here. I deserve an education and I’m going to get it,” she recalled in her March 3, 2010, interview.

From the 2nd grade, Stella wanted to be a teacher. In May of 1965 she earned her bachelor’s degree and thus became the first African American to attend Lubbock schools from K-12, attend all undergraduate years at Texas Tech, and successfully graduate. Stella retired in June 2009 after 43 years of teaching.

anita-harrison-best-flat

Anita Carmona Harrison was born on February 17, 1944, in Lubbock. Following a tour of the Texas Technological College campus with her second grade teacher, Mrs. Billie Everton, Anita decided she wanted to attend and started a piggy bank fund. In the fall of 1963 she enrolled at Texas Tech. Of her college years she fondly recalls “meeting people from diverse backgrounds,” hanging out with friends in the SUB, and being taught once again by Dr. Everton, who had become a professor at Texas Tech.

In 1967 she graduated with a bachelor’s degree, went on to teach bilingual kindergarten classes and, in 1969, helped develop Lubbock ISD’s first Curriculum Guide for Bilingual Kindergarten. She continued to teach elementary school while raising two daughters and, in 1999, she retired from LISD after almost 30 years from public teaching.

Anita is recognized as the first Lubbock-born Latina to attend Lubbock schools from K-12, attend all undergraduate years at Texas Tech, and successfully graduate. She grew up in a very tight-knit family and has proudly shared stories of her childhood, family, and community in the Lubbock Avalanche-Journal and Latino Lubbock magazine. Her oral history interview was conducted on December 8, 2009.

bernardharris-2

Bernard A. Harris, Jr., was born on June 26, 1956. From ages 7 to 15 he lived with his mother on a Navajo Indian Reservation where she worked as a teacher. “She told me I could do anything,” he recalled in a 1995 University Daily interview, and it was under her positive influence that he dreamed he could reach the stars. “I knew I wanted to be an astronaut when I first saw human beings land on the moon.”

Bernard received his bachelor’s degree from the University of Houston in 1978 and his medical degree from Texas Tech School of Medicine in 1982. His residency at the Mayo Clinic was completed in 1985, after which he worked with NASA where he completed a research fellowship in 1987 and training as a flight surgeon in 1988. On February 3, 1995, Bernard also became the first African American to walk in space.

After his stint as a scientist and flight surgeon with NASA, he went on to serve as a professor of medicine at several Texas universities, and on the Board of Regents at Texas Tech Health Sciences Center. In his December 15, 1998, oral history interview Bernard expressed that he wanted to be known as a visionary or a dreamer.

garyelbow-1

Gary Stewart Elbow was born on November 15, 1938. He received his bachelor’s degree from Oregon State College in 1960 and his master’s degree from the University of Oregon. He came to Texas Tech in 1970 as an assistant geosciences professor and later earned his Ph.D. from the University of Pittsburg in 1972.

In his many administrative and teaching roles over the course of 45 years at Texas Tech, Gary observed firsthand the changes the university underwent, most notably the battle over tenure and academic freedom when Texas Tech was censured by AAUP. He also saw the founding of an Honors College, where Gary continues to teach. He has held every position in the Faculty Senate and has worked for many years as a Marshall at graduation ceremonies.

In his June, 20, 2010, oral history interview, Gary reminisced about the university’s changing role under former President Grover Murray in the 1960s and 70s. “So this was an exciting place. Things were really hopping, and the idea at the time was that we were going to become more than just a regional university.” Without a doubt, Gary is one of the individuals who contributed to Texas Tech becoming a Tier One institution.

james-watkins-new-adj

James C. Watkins was born on May 28, 1951. In a November 20, 2009, interview he shared how his grandmother and mother encouraged his artistic development by allowing him to use old calendars as drawing pads, and supported him taking “Draw Me” art correspondence courses. James continued his education by receiving his B.F.A. from the Kansas City Art Institute and his M.F.A. from Indiana University. He taught at Indiana University and Hampton University before coming to Texas Tech in 1983 as an assistant professor of architecture.

For over 30 years he has specialized in ceramics, particularly in the use of raku. He is a co-author of two books, Alternative Kilns & Firing Techniques and Architectural Delineation, Presentation Techniques and Projects, and is the subject of a third book, A Meditation of Fire: The Art of James C. Watkins. In 2005 he became a Fulbright Scholar, and his contributions to the field of art were recognized at Texas Tech in 2006 with his promotion to the esteemed rank of Horn Professor. Examples of his work reside in the White House Collection of American Crafts, the Shigaraki Institute of Ceramic Studies in Japan, the Texas Tech University Public Art Collection, and have also been part of two different Smithsonian exhibits.

fall-into-diversity-l-cavazos

Lauro Fred Cavazos was born on January 4, 1927, on the King Ranch. He earned his B.A. and M.A. at Texas Tech University and a Ph.D. from Iowa State University. Lauro taught at the Medical College of Virginia and at Tufts University School of Medicine in Boston, where he was also Dean from 1975 to 1980, before returning to Texas Tech in 1980 to become its tenth president. He is the first Hispanic and first graduate of the university to hold the title of president.

A recognized expert in both the field of medicine and the field of education, Lauro’s accolades were numerous. Most prominently, on September 20, 1988, he was unanimously confirmed as Secretary of Education, making him the first Hispanic to serve in the U.S. Cabinet. He continued in that position until December of 1990.  The TTU Board of Regents bestowed an honorary degree upon him in 2016.

Cavazos grew up attending segregated schools and was the child of a ranch foreman. In his January 25, 1991, interview Lauro discussed why it was important for Mexican American families to teach their children English and prepare them for school.


Those interested in the exhibit, “Fall into Diversity: My Story” are welcome to visit it from fall until spring at the Southwest Collection/Special Collections Library’s Coronelli Rotunda.

Dirk West: Sports Cartoonist

d-west-book-more-best-of-frontback

It’s time for a new exhibit at the Southwest Collection! This fall we’re sharing a tribute to Dirk West, a Texas Tech alum and famed sports cartoonist of the Southwest Athletic Conference (among many other accomplishments.) On the evening of Friday, October 14th, we’ll be hosting a reception celebrating the exhibit’s opening. Come on by and visit! Or at least check out some of the exhibit’s fabulous images below.

dirk-west-fixed-2

Gerald Glynn “Dirk” West (October 23, 1928-July 26, 1996) was a businessman, television personality, and former mayor of the City of Lubbock, Texas. Shortly after his birth in Littlefield, Texas, Dirk’s family moved to Lubbock, Texas. There, while attending Lubbock High School, Dirk created “Westerner Willie” for the school’s Westerner World. Dirk’s widow, Mary Ruth West, recalls Dirk stating that this was also the beginning of his nom de plume. After graduating high school Dirk continued cartooning at Texas Tech University (TTU).

toreador-1953-03-31

At TTU, Dirk created an oafish character named “Smedley” (above) for the Toreador, the Texas Tech student newspaper. Mary Ruth believes “Smedley” served as the precursor to “Ol’ Red,” the grizzled version of Raider Red that decorates the image below. The figure graced the Toreador’s pages until Dirk’s graduation in 1954 with a degree in Advertising.

dirkwest-ttu2-sm

Some years later Burle Pettit, sports editor of the Lubbock Avalanche Journal, asked Dirk to consider drawing a Southwest Athletic Conference (SWC) cartoon for the paper. And so it was that on September 24, 1964, the first SWC cartoon appeared therein. It featured Texas Tech Football Head Coach J. T. King and his men preparing for the arduous task of playing the defending National Football Champions, the Texas Longhorns. He would go on to develop the mascots of all the SWC schools into recognizable caricatures, such as UT’s Bevo, below.

9-d-west-ut16x18

So come on by and check out our exhibit! And if you’d like to see more of Dirk West’s work, as well as his archival papers, don’t hesitate to get ahold of our Reference Staff. They’re always ready to help you out however they can. We also hold the records of the Southwest Conference, the Big XII Conference, and a host of other sports organizations. They too are available to interested researchers.

Fire in the Water, Earth in the Air: An Exhibit of the Crossroads Music Archive

SPChrisGunsupADJ

Among the many collections located at the Southwest Collection/Special Collections Library the Crossroads of Music Archive is unique. Comprised of the papers of West Texas musicians, Crossroads also contains recordings, artifacts such as posters and instruments, and other materials documenting West Texas’ rich musical history. “Fire in the Water, Earth in the Air” is an exhibit showcasing the work of Chris Oglesby, who can be seen throwing a dramatic Texas Tech “Guns Up,” above. More specifically, it focuses on the book from which this exhibit gets its name.

Oglesby book cover

Chris Oglesby grew up in Lubbock where his father was a coach and his mother an English professor, both at Texas Tech University.  While earning his bachelor’s degree and doctorate of jurisprudence from Texas Tech, Chris immersed himself in Lubbock’s musical nightlife. However, it took moving to Austin in 1991 for him to learn how greatly artists from his hometown had affected the music and art scenes of Texas and the world beyond.

hatch taylor elyLloyd Maines, Jesse “Guitar” Taylor, and Joe Ely

In 1998, Chris began interviewing musical artists with ties to Lubbock. He paired those with articles, photographs, and other research materials to augment the amazing stories from the talented musicians. Posters and playbills similar to the one below were not neglected.

Bob Livingston Poster

After seven years of research, Oglesby published Fire in the Water, Earth in the Air. The book highlights twenty-five musicians and seeks to discover what it is about Lubbock and West Texas that feeds the creative process and spirit. More than a few notes were scribbled down in the notebook below.

edited stenographic note book cover - (fire in the water earth in the sky)

September 1, 2016 will be the tenth anniversary of the book’s publication. In conjunction with that, we are proud to announce that the Chris Oglesby Papers are now housed in the Crossroads of Music Archive. They are open for research, and a simple call or email to our dedicated Reference Staff can get them into your hands.

The French Book of Hours: Tradition and Innovation – An Exhibit at the Southwest Collection

funeral service

We love our exhibits here at the Southwest Collection, and so we’ve installed a new one showcasing items from our Rare Books Collection! Entitled “The French Book of Hours: Tradition and Innovation,” it displays the titular volumes of personal devotion that divided and classified time according to the liturgical cycles of the medieval church. Of course, the displayed items are replicas–the originals are far too valuable to expose to damaging UV light for any length of time. Even so, they’re a sight to behold.

Books of Hours were popular for several centuries, and were commissioned by and created for specific lay owners. Each is therefore unique, especially in regard to their artwork.  Still, many contained common elements, which often included the Office of the Dead. Two of the Books of Hours we have on display were created for Jean, Duc de Berry (1340-1416): the Grandes Heures (1409) and the Très Riches Heures (begun ca. 1412, finished ca. 1489), and it is their examples of the Office of the Dead upon which we’re focusing here.

Consisting of a collection of the church’s official prayers, the Office of the Dead seldom contains more than one illustration. Rather, it traditionally depicts a funeral service in which a priest or some other religious figure recites prayers over the dead. The image at the beginning of this blog comes from the Très Riches Heures, and depicts twelve monks seated around a coffin beneath a table decorated with the Duc de Berry’s coat of arms. The woman standing in the doorway may not be simply a nun, but the Duchesse de Berry herself mourning the death of her husband.

animals2

The images above and below are armorial images of a wounded swan and a bear holding the Duc de Berry’s flag. They are embedded within the border of the page of the funeral service in the Grandes Heures. Occurring in the context of the Office of the Dead, they could be homages to the early deaths of the Duke’s sons.

animals1

angle view into church

Here is another image from the Grandes Heures: an illustration of the Mass for All Souls. It is representative of the traditional depictions of the Office of the Dead, in this case providing a view into an interior where monks pray over a coffin covered in black cloth.

DEATH_Take_all

The page above is replete with illustrations of historical and liturgical events. But what would a one of these pages be without the customary representation of death? Below the central miniature, which contains a corpse in an open casket, is a scene intended to warn the viewer that death will eventually take us all. That’s heavy stuff, but because this was illuminated in the years not long after repeated visitations by the Black Death, this was not an uncommon motif.

Corpses

This final illustration is a unique departure from the conventional images more commonly accompanying the Offices of the Dead. For one thing, it depicts an exterior burial scene, complete with excavated and partially decomposed corpses. It is possible that this image represents Duc de Berry’s personal relationship with death.

Our Rare Books collection is impressive, and these Books of Hours are among some of its most fascinating. If you’d like to see some of our other, similar materials, why don’t you stop on by and let our Reference Staff see what they can arrange for you? At least head over and check out the exhibit! It’s one-of-a-kind.

National College Baseball Hall of Fame – 2016 Roster!

Augie G

Since 2004 the Southwest Collection (SWC) has served as the repository for the National College Baseball Hall of Fame (NCBHoF) on behalf of the College Baseball Foundation. Around July 4th every year, we are fortunate enough to attend the Hall of Fame induction ceremony, and better yet, accept archival items that chronicle the event as well as the history of college baseball. They range from scrapbooks, newspapers, and photographs,  to videos and media guides. Our favorites are the artifacts: signed balls, caps, bat, uniforms…even a surprising number of cleats. Perhaps most impressive, the SWC downloads and archives nearly 700 emails per day during each baseball season from over 200 Division I and other schools.

Robt Braddy

Tom Paciorek

As we’ve mentioned before, recording oral histories with Hall of Fame inductees, as well as current NCAA baseball award winners, also helps the SWC preserves college baseball’s history. Nearly 100 oral histories have been conducted with players and their families, all added to our massive oral history collection currently comprised of thousands of interviews on sports as well as a host of other topics.

JD DrewRick Monday

The 2016 Hall of Fame induction festivities will occur on Saturday, July 2nd, at the “College Baseball Night of Champions.” 2016 will see the induction of eight members:

  • Augie Garrido, championship coach of the University of Texas and Cal State Fullerton
  • Bob Braddy, coach of Jackson State University for 28 years
  • Tommy Thomas, coach of Valdosta State University for 39 years
  • Tom Paciorek of the University of Houston
  • J. D. Drew of Florida State University
  • Rick Monday of Arizona State University
  • Matt DeSalvo of Marietta College

Hall of Famers’ careers are not the only ones celebrated. College baseball’s finest young athletes receive awards for their on-the-field excellence. The 2016 season’s award winners will be announced at the televised Night of Champions dinner on Monday evening, but can also be found on the Hall of Fame’s website for those who can’t attend. They are also commemorated on limited-edition posters and baseball cards produced by the Southwest Collection’s exhibit preparator Lynn Stoll, some of which are included among the images in this blog. These items highlight the biography and always-impressive stats of each of the 2016 inductees and award winners.

Matt DeSalvoTommy Thomas

Participation in the National College Baseball Hall of Fame festivities is but one of many ways in which the Southwest Collection preserves and makes available our sports history holdings. For example, we preserve the records of the former Southwest Conference, the Big XII Conference, and the few remaining records of the former Big 8 Conference. For more information about these collections please contact our Reference Staff who would be happy to guide you through them.